Photographing People: Ten Tips From NomadRuss

Cultural documentary and NGO photographer Russ Taylor, aka NomadRuss, offers his tips for photographing people.

You can’t be shy when you’re photographing people. It helps if you like people, interact with them, and get to know them a bit. Be upfront about what you’re doing.

Russ Taylor, aka NomadRuss, is a cultural documentary and NGO photographer, as well as wilderness guide who’s been leading trips for over twenty years. His adventures span the globe, from Southeast Asia to South America, and throughout the United States, too, which he documents on his photoblog.

From gorgeous landscapes to snapshots of people, his photography is varied and full of life, reflecting the many places he’s trekked and cultures he’s observed. Last fall, he published a blog post with tips on photographing people that is practical, accessible, and inspiring — and the accompanying images are incredible. We’re happy to invite him as a guest contributor to share it with you. 

I’m often asked about how to photograph people. Here are ten tips I’ve learned through my experience with a camera:

Get close to people. You can’t be shy when you’re photographing people. It helps if you like people, interact with them, and get to know them a bit. Be upfront about what you’re doing. Most people don’t mind at all, and when someone says they don’t want their picture made, I just say, “no worries,” and move along. Find a person that you find interesting, and it’s likely your viewers will find them interesting, too. I met the young woman below on the plaza in Santa Fe, New Mexico.

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Don’t forget the background. Placing a person in a setting helps tremendously. It gives us extra information about who they are, and it adds overall depth to the image, making it more interesting. Portraits with cluttered backgrounds distract from your subject — the person. When I was making photographs of the nomads on Ladakh’s Changtang plateau, I walked around looking for the proper background first. I first noticed the snow-covered mountains and the clouds, and then found the person to add to that scene:

milking-the-goats-on-ladakhs-changtang-plateau

Or find a simple background. Sometimes you just can’t find the right background, so simplify and make the subject the only thing in the photograph. Now, all attention is on them. Another option is to use a longer lens. By using a zoom lens, you can increase the depth of field and make the person stand out against even a busy background. When I met the young girl below at the camel fair in Pushkar, India, it was dusk and I couldn’t quite find a way to make her stand out — until I noticed a small pond. When I asked her to stand in front of it and some of the last light of day hit her eyes, I knew I’d found the right place to make her portrait.

Isolate people in crowds. When you’re photographing in cities, especially in cities such as Varanasi, in India, there are going to be crowds. Isolate interesting people within the crowds. When I spotted an old lady from a moving boat on the Ganges River, I had only a moment to make the photograph, and seeing that she momentarily stood out from others, I had to attempt the shot. It’s not technically perfect, but it’s become one of the most viewed images on my website, nomadruss.com.

An ancient scene along the Ganges

Focus on hands and feet and other details. Similar to how you might isolate a person from a crowd, you can also focus on certain parts of the body. Hands and feet tend to make interesting detail shots, and we also learn about people through things like the jewelry they wear. In the shot below, a woman’s double rings — as worn in a slum area of Delhi — indicate marriage.

Hands and Feet, India.

Make environmental portraits. We all like to see people in their environment. It adds a dimension of understanding to their lives. It might be work, such as someone doing construction, or the daily work of cooking for the family. Again, you’ll place the person in an environment where we come to understand more about them. I like to look for common scenes that convey what people do as part of their normal existence. This man in Jodhpur, India, sits on his door stoop in the morning reading the Times of India:

Extra specs and the morning paper

Shoot at eye level. The most neutral place to be when photographing people is at eye level. Shooting from below can make someone appear grand, and shooting from above can also change the storyline. Most of the time I like to shoot portraits around eye level. This impromptu portrait was made on a freezing cold morning while trekking the frozen Zanskar River in Ladakh, India:

Be unobtrusive. You don’t always have to ask directly for permission; I often don’t, at least not verbally. If you just spend some time on the scene and allow people to notice you with your camera, and then slowly blend into the background, you’ll find that you can make images of people as they’re being natural. You can show them the photos afterwards and interact a bit and thank them. I made this photo of a young monk watching a masked dance festival, while awaiting his turn to dance, before he noticed me:

a-young-monk-watches-the-masked-dance-festival-at-phyang-monastery-from-the-changing-room-as-he-awaits-his-turn-to-perform-ladakh-india

Pay attention to light. Yes, this can be said about every single photograph, and it’s just as important in photographing people. Pay attention to the light, and particularly how it adds detail and directs the viewer’s eye. Catch light in a person’s eyes is vital — it makes a photograph feel alive.

watching-spituk-winter-festival

Share your photographs! Do you want to make people really happy? Do you want to get invited back to photograph them again? Well, you can do a lot of good by giving people a copy of the photograph you made, especially in areas where it’s difficult for people to get copies themselves. You’ll be remembered. In some areas of the Himalaya, people proudly show off photos that a tourist gave them years before. They still remember those people, and they’ll gladly welcome them back.

the-print

Thanks for these tips on photographing people, NomadRuss! For more, visit Russ’ blog and website, or follow him on Facebook.

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  1. Great advice for any photographer. I’ve been taking pictures for a long time and I still struggle with the “get close to people” suggestion although I have managed to overcome it on certain occasions.

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    1. I believe that as long as you shoot from your own personality, your work will reflect your spirit, and you’ll create your own photographic niche…

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  2. Being shy about photographing people, it seems daunting to get closer, but I shall try to take your advice. It’s true that most people love to get their picture taken. What do you do with the ones who want to strike a pose and put on a big smile?

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  3. I am like some of the other responders today, a little inhibited about shooting, but really wanting to overcome this inhibition. When I have approached people, they have always been quite nice about it. It’s more a matter of me getting used to hanging out in someone’s space until I feel comfortable.

    Your encouraging words are really appreciated. Just like anything else, there is no other way to resolve this than to just get out there and do it. Your inspiration make me want to be bolder…and that is good. Love the tips, very useful…and practical.

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  4. Thanks so much for the tips!! I’m just getting into photography and can use any help I can get my hands on!!

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  5. Great tips! I am a food photographer and I’m thinking of branching out to portraits… what lenses would you recommend? Thanks!

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    1. Great question Nikki. In the old days everyone swore by the 105mm. If you do shoot from a distance, from 100-200mm range, you can get a good “bokeh,” or a blurring of the background. Some people like to stand further back for that effect. I often have a wider angle lens on my camera and like to include some background information. You just have to know that with a wide angle lens, when you step in close to a person, you can start to distort their nose and ears and such. If you’re looking into pure portraiture, I’d say a lens from the 105-135 range keeps a persons face in perspective and helps them stand out from the background nicely. There’s a start…

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  6. Really inspirational. I am a dabbler, but like the offbeat when it comes to composition, and because I write poetry I take random shots of landscapes and objects and then glue images to the poetry, if it’s a reasonable fit. I would like to take more of people, so this post has been very useful. I also need a better camera, something portable though – any recommendations?

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    1. I like to do some similar things with words from time to time. Here’s a recent post where I added some words to the mix, http://nomadruss.me/2014/02/11/chaco-canyon/

      I’ve been shooting with a Nikon D700, but that camera is just about worn out so I’m going to upgrade to the Nikon D610. While that matters, I save most of my money for purchasing good glass. When you buy a lens that’s a fixed 2.8 or better, you get outstanding quality. However, I’m definitely not one of those photographers who talks gear, it truly is more about heart and vision with me…

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  7. Awesome post nomadruss though I’m a writer but keen about learning all. Your post gives amazing tips above all last 2 pics are awesome.
    Great work Appreciated☆☆

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      1. Hahaha, thanks! I was a little bit worried I might have misinterpreted some of your points when I associating some of my photos to them. Let me know if you find anything that doesn’t seem right to you. 🙂

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      1. Thanks! Am stoked to hear it made you laugh 😀 I had fun writing it.

        Your post was inspiring, particularly the point about how to manage being unobtrusive. Photographing strangers can be awkward.

        Have a great morning, and thanks for your time responding to me and sharing the blog! 🙂

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  8. photography has always been the order way of restoring or keeping history flowing in life, Photoshop has added more quality to photography as the world is becoming more advanced which has proven to be positive and eventually will become more and more interesting. for i now they say image tell you all you need to know .

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