Etiquetas » Film
I have a new essay of film criticism in the latest issue of Postscript Magazine. In it, I examine Spring Breakers as a film that does or doesn’t interrogate whiteness, and how that ambiguity is too costly in light of the white American inability to see whiteness onscreen. You can read it here.
A brief breakdown of the interesting career of Millie Perkins (b.1938). Today Perkins is almost exclusively known for one major role, but I became a much more enthusiastic fan once I discovered a lot of the lesser known work that came directly after. 571 palabras más