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	<title>nikon-digital &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://wordpress.com/tag/nikon-digital/</link>
	<description>Feed of posts on WordPress.com tagged "nikon-digital"</description>
	<pubDate>Thu, 21 Aug 2008 13:23:37 +0000</pubDate>

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<item>
<title><![CDATA[The Digital Photography Book]]></title>
<link>http://arpijiki.wordpress.com/?p=220</link>
<pubDate>Wed, 13 Aug 2008 05:30:24 +0000</pubDate>
<dc:creator>arpijiki</dc:creator>
<guid>http://arpijiki.wordpress.com/?p=220</guid>
<description><![CDATA[
The Digital Photography Book
[Scott Kelby]


Product Description
Scott Kelby, the man who changed t]]></description>
<content:encoded><![CDATA[<h2 style="text-align:center;"><a class="aligncenter" href="http://astore.amazon.com/addbooks-20/detail/032147404X/104-3944875-7299109" target="_blank"><img class="aligncenter" src="http://ecx.images-amazon.com/images/I/41cT1D5tnVL._SL210_.jpg" alt="" width="140" height="210" /><br />
The Digital Photography Book</a></h2>
<p style="text-align:center;"><span class="by"><span style="font-size:x-small;">[Scott Kelby]</span></span></p>
<hr />
<div id="productDescription">
<h2><a class="aligncenter" href="http://astore.amazon.com/addbooks-20/detail/032147404X/104-3944875-7299109" target="_blank">Product Description</a></h2>
<p>Scott Kelby, the man who changed the "digital darkroom" forever with his groundbreaking, #1 bestselling, award-winning book <em>The Photoshop Book for Digital Photographers,</em> now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think).</p>
<p>This entire book is written with a brilliant premise, and here’s how Scott describes it: "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak."</p>
<p>This isn't a book of theory—it isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button.</p>
<p>Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you’re tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you.</p>
<hr />
<h2>Product Details</h2>
<ul>
<li>Amazon Sales Rank: #118 in Books</li>
<li>Published on: 2006-09-02</li>
<li>Number of items: 1</li>
<li>Binding: Paperback</li>
<li>240 pages</li>
</ul>
</div>
<hr />
<h2>Editorial Reviews</h2>
<div id="editorialReviews">
<p><strong><span class="reviewtitle">About the Author</span><br />
Scott Kelby </strong>is President of the <strong>National Association of Photoshop Professionals </strong>(NAPP) and Editor-in-Chief of both <strong>Photoshop User and Layers </strong>magazines. Scott serves as training director for the Adobe Photoshop Seminar Tour and is the technical chair of the largest Photoshop gathering in the industry, Photoshop World. He has written numerous best-selling creative technology books.</p>
<div id="customerReviews">
<hr /></div>
<h2>Customer Reviews</h2>
<p><span class="reviewtitle"><strong><a href="http://astore.amazon.com/addbooks-20/detail/032147404X/104-3944875-7299109">Can this book help you take better photos? Yes! </a></strong></span><br />
I bought this book after purchasing my camera, but didn't review it closely enough.<br />
When I had a specific need to get some good shots, I went back to this book and studied it closely.</p>
<p>The learning and depth really occurs with the explanation of the manual settings on most popular brands.<br />
Namely, White balance, ISO (film speed), shutter speeds, F stops and Burst mode, for quick sequential shots.</p>
<p>Understanding these settings, and practicing with your camera, will improve your photographs. You can then return to the book, for a better understanding of the tips.</p>
<p>Many times, I'm trying to recapture exactly what my eyes are seeing at the moment not end up with something that is starkly lit by a "flash bulb". These settings, with the help of the book will give you a good understanding (or at least a lot of practice will) of how to capture the moment.<br />
I never realized how much better shots can be without the flash. Users really need to try to force themselves away from the "auto" setting on their camera, except for the MOST basic shots.</p>
<p>With storage space so cheap, it's so much easier than the days of film and film processing to get the practice you need.</p>
<p>The downside of the book is that it tries to cover almost too much info. (lenses, filters, kids &#38; old people) I think some of this could have been left out, and focus around manual settings could have been covered in better depth.</p>
<p>I think the book is a very good starting point, and should also be used as an ongoing reference until you are comfortable with your brand of camera and its settings.</p>
<p>This book is full of lame jokes about shoving other photographers down and breaking their equipment to "get the best shot." There is no clear explanation of how shutter speed and aperture work together to give you the proper exposure. If any of my family or friends asked me if I thought this was a good book on photography, I would tell them to avoid it at all costs.</p>
<p><span class="reviewtitle"><strong><a href="http://astore.amazon.com/addbooks-20/detail/032147404X/104-3944875-7299109">Great book if you wnat to improve your photography</a> </strong></span><br />
This is a great book if you want to improve your photography. To move to the next level of photography, you need to read this book. Scott is witty and this book shows you different ways to really great shots. K. Frank</p>
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<div id="editorialReviews">
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<title><![CDATA[¿Qué es una cámara réflex digital?]]></title>
<link>http://encontrarse.wordpress.com/?p=174</link>
<pubDate>Tue, 06 May 2008 14:21:58 +0000</pubDate>
<dc:creator>El Conde</dc:creator>
<guid>http://encontrarse.wordpress.com/?p=174</guid>
<description><![CDATA[

Desde Xataka Foto intentamos, a diario, daros los mejores consejos y trucos para mejorar las fotog]]></description>
<content:encoded><![CDATA[<div class="intro">
<p><img style="vertical-align:middle;" src="http://img.xataka.com/2008/05/cabecera%20reflex.jpg" alt="cabecera reflex" /></p>
<p>Desde <a href="http://www.xatakafoto.com/">Xataka Foto</a> intentamos, a diario, daros los mejores consejos y trucos para mejorar las fotografías, pero es evidente que la máquina, los objetivos, los accesorios, y muchos otros “gadgets” cuentan en el resultado final, por lo que desde este especial intentaremos guiaros poco a poco en el mundo de las réflex digitales y todo lo que las rodea. Empezamos:</p>
<p>Una <strong>cámara réflex digital</strong>, o también llamada <strong>DSRL</strong> (Digital Single Lens Reflex) debe su nombre a dos características fundamentales:<br />
<strong><br />
1. Visor Réflex</strong>: Lo cual significa, que cuando miramos a través del visor, vemos, sin ningún tipo de retardo, la escena. Esto se produce gracias a un espejo colocado a 45º y un pentaprisma que conducen e invierten la imagen para que la veamos correctamente a través del visor.</p>
<p style="text-align:center;"><img class="aligncenter" style="vertical-align:middle;" src="http://img.xataka.com/2008/05/esquema%20reflex.jpg" alt="" width="450" height="237" /></p>
<p>Las ventajas del visor réflex, son muchas, y las sensaciones, también, pero las veremos más adelante junto con las otras muchas <a href="http://www.xatakafoto.com/2007/10/03-curso-de-fotografia-ii-partes-importantes-de-la-camara">partes de la cámara</a> en una réflex, que le dan un carácter único.</p>
<p><strong>2. Un sensor de imagen</strong>: El material fotosensible, que en las cámaras analógicas era el negativo, en las cámaras digitales se transforma en un sensor digital compuesto por píxeles. Normalmente estos sensores son del tipo <strong>CCD</strong> (Charged-Coupled Device) o <strong>CMOS</strong> (Complementary Metal-Oxide Semiconductor) y son los que se encargarán de <a href="http://www.xatakafoto.com/2007/10/01-curso-de-fotografia-i-la-luz-y-la-formacion-de-imagenes">retener la imagen</a>.</p>
<p style="text-align:center;"><img class="aligncenter" style="vertical-align:middle;" src="http://img.xataka.com/2008/05/pelicula%20y%20sensor.jpg" alt="pelicula y sensor" /></p>
<p>Estos sensores tienen una resolución en función del número de píxeles: los famosos y tan erróneamente bien valorados <strong>Megapixeles</strong> de las cámaras digitales, que aunque nos los vendan así <strong>NO</strong> son los que dan la calidad a una imagen, simplemente miden su tamaño.</p>
<p style="text-align:center;"><img class="centro_sinmarco aligncenter" src="http://img.xatakafoto.com/2007/10/megapixeles.jpg" alt="megapixeles" /></p>
<p>Evidentemente, al ser un solo sensor digital lo que retiene la imagen, una vez capturada, esta debe transformarse en un archivo digital, de ahí que las cámaras digitales dispongan de zócalos donde mediante <a href="http://www.xatakafoto.com/tag/tarjeta+de+memoria">tarjetas de memoria</a>, vamos almacenando las fotografías.</p>
<p>Esto tiene una ventaja añadida, el poder ver las imágenes inmediatamente después de haberlas tomado mediante una pantalla LCD, que incorporan todas las cámaras digitales y otra de las características fundamentales de una cámara digital.</p>
<p>¿Y puedo hacer fotos a través de la pantalla? Pues aunque parezca mentira, hasta hace relativamente poco no, aunque desde que la arriesgada Olympus E-330 lo incluyo entre sus características, muchos modelos y marcas lo han ido implementando con el tiempo, hasta el punto de que la mayoría de las cámaras réflex actuales lo permiten, quitando contadas excepciones.</p>
<p>Aparte de estas dos características básicas, otra característica fundamental de las réflex digitales es la <strong>posibilidad de intercambiar los objetivos</strong> con lo cual las posibilidades fotográficas se multiplican de sobremanera, aunque ya veremos más detalladamente como influye cada tipo de objetivo sobre la escena que queramos fotografiar.</p>
<p><img class="centro_sinmarco" src="http://img.xataka.com/2008/05/objetivos.jpg" alt="zuikos" /></p>
<p>Por cierto, un último apunte, las cámaras réflex digitales <strong>NO</strong> graban vídeo como las compactas, al menos de momento.</p>
<p><a title="Camaras Digitales (XATAKA)" href="http://www.xataka.com/2008/05/06-que-es-una-camara-reflex-digital-especial-fotografia" target="_blank">FUENTE</a></p>
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<title><![CDATA[Nikon D40 Digital SLR Camera Review]]></title>
<link>http://123photography.wordpress.com/2007/11/27/nikon-d40-digital-slr-camera-review/</link>
<pubDate>Tue, 27 Nov 2007 08:05:02 +0000</pubDate>
<dc:creator>123travel</dc:creator>
<guid>http://123photography.wordpress.com/2007/11/27/nikon-d40-digital-slr-camera-review/</guid>
<description><![CDATA[By Robb Jensen
Devastating its predecessor the Nikon D50 Digital SLR camera, the all new compact and]]></description>
<content:encoded><![CDATA[<p>By <a href="http://ezinearticles.com/?expert=Robb_Jensen">Robb Jensen</a></p>
<p>Devastating its predecessor the <strong>Nikon D50 Digital SLR camera</strong>, the all new compact and affordable point-and-shoot <strong>Nikon D40 Digital SLR camera</strong> comes at a significantly lower price.  With a subtly different set of features Nikon has trimmed some of the 'less important features and have included a range of new features including the custom Auto ISO feature available on the <strong>Nikon D80 Digital SLR cameras</strong>.</p>
<p>Nikon appears to have concentrated on what makes a good camera.  A solid viewfinder,a short shutter lag, and an exceptionally short viewfinder blackout.  On the negative side the <strong>Nikon D40 Digital SLR camera</strong> does not have an internal focus drive motor and as a result no mechanical focus drive pin.  Rather it has CPU contacts allowing Auto Focus only with AF-S and AF-I lenses which have built-in focus motors. This means the Nikon 'standard' lenses the Nikkor 50 mm F1.8D and the F1.4D will be manual focus only on the <strong>Nikon D40 Digital SLR camera</strong>.</p>
<p>The difference in the lens mount of the <strong>Nikon D40 Digital SLR camer</strong>a and the <strong>Nikon D80 Digital SLR camera</strong> is the mechanical focus drive pin at about the 7 o'clock position on the mount of the Nikon D80 Digital SLR camera.</p>
<p>I personally purchased the N<strong>ikon D40 Digital SLR</strong> camera and my family and I have been taking pictures non stop since purchasing it in January 2007.  I highly recommend the <strong>Nikon D40 Digital SLR</strong> camera for an entry level professional grade camera.  I also would suggest purchasing a large memory chip I purchased a 4GB chip for under 100 dollars at Futureshop and it held over 1600 photos at the highest resolution the camera offers.</p>
<p>Hats off to Nikon, for delivering a solid, affordable digital camera with multitude of features and resisting the temptation to enter the chase for more mega pixels.</p>
<p>Robb Jensen</p>
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