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	<title>complementary &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://wordpress.com/tag/complementary/</link>
	<description>Feed of posts on WordPress.com tagged "complementary"</description>
	<pubDate>Sun, 20 Jul 2008 13:55:09 +0000</pubDate>

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<title><![CDATA[Complementary]]></title>
<link>http://grasswire.wordpress.com/?p=719</link>
<pubDate>Thu, 12 Jun 2008 21:35:33 +0000</pubDate>
<dc:creator>grasswire</dc:creator>
<guid>http://grasswire.wordpress.com/?p=719</guid>
<description><![CDATA[
One of the things that really changed during my first year at university was my vocabulary. One of ]]></description>
<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-720" src="http://grasswire.wordpress.com/files/2008/06/komplementarno.jpg" alt="" width="400" height="250" /><br />
One of the things that really changed during my first year at university was my vocabulary. One of the fancy sounding new words that we picked up and would than mockingly infiltrate into our everyday conversations was <em>complementary</em>. It appeared in one of exam questions for sociology where we had to write down complementary social phenomena to a given list of terms. <br />
This story came to my mind as I realised that I just went through two very similar but than again utterly different days. The morning that G. Bush visited Slovenia I had an interview with one former forreign news correspondent on the topic of covering Third World for an article I would suppose to turn in tomorrow. It was a perfect summer day and the city was swarmed with policemen in their summer outfits, the lucky ones discretely hiding in shadows to avoid the blistering sun. As I was already downtown I made a short stop at the market to buy some strawberries for making jam (<a href="http://cashmerecafe.wordpress.com/2008/06/12/jordbaer-syletetoey" target="_blank">see cashmerelady's post on the subject</a>) and as I came back to the faculty, had an unexpected coffee with a very dear friend of mine. The afternoon was all fun with Tamara in nearby Arboretum. The next day was strikingly similar, only completely different. My second interviewer on the same topic was completely (and disappointingly) different than his former coworker, the policemen were on the streets again, only this time they were completely relaxed as they were securing a bycicle race. The fruit I bought at the market were not strawberries but cherries and back on the faculty, I had another unexpected coffee with a dear friend who could not be more different from my professor/poet friend from the day before. Spent the afternoon with Tamara in the same place again, only this time it was all three of us which made it totally different.</p>
<p>One of the on-line dictionaries defines <em>complementary </em>as <span style="font-size:10pt;font-family:Verdana;"><span style="font-size:8pt;font-family:Verdana;">"so related that each is the negation of the other" and "providing something that completes the whole".</span></span></p>
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<title><![CDATA[5 Essential Facts about Revenue]]></title>
<link>http://usmansheikh.wordpress.com/?p=202</link>
<pubDate>Tue, 10 Jun 2008 19:39:07 +0000</pubDate>
<dc:creator>Usman Sheikh</dc:creator>
<guid>http://usmansheikh.wordpress.com/?p=202</guid>
<description><![CDATA[&#8220;A computer can tell you down to the last dime what you’ve sold. But it can never tell you h]]></description>
<content:encoded><![CDATA[<p style="text-align:center;"><strong>"A computer can tell you down to the last dime what you’ve sold. But it can never tell you how much you could have sold."</strong> Sam Walton</p>
<p style="text-align:left;">An organization can have a great product and a great team, without any revenue however, they have very little. Revenue is the life blood of any enterprise; it fuels growth, motivation and success. Every organization strives to develop perfect products/services, most of the time however, they are developed with inadequate attention to revenue streams. What follows are shattered dreams and expectations, because a business without solid recurring revenue streams has nothing to stand on. Over the course of this week I have shared some basic facts with you regarding revenue streams, I have re-capped briefly below:</p>
<p style="text-align:left;"><strong>1. Revenue &#38; Business Models:</strong> If you are writing a business plan or, are in a new startup venture, identify your revenue streams as clearly as possible, and understand what resources need to be put into place to realize their true potential. The future of your organizations rests upon these strategic initiatives. The business model must be based on sound revenue streams in order to succeed. To learn more about revenue and business models please click <a href="http://usmansheikh.wordpress.com/2008/06/05/revenue-and-business-models/" target="_blank">here</a>.</p>
<p style="text-align:left;"><strong>2. Revenue &#38; Market Segmentation:</strong> Once identification of a business model has been made, correct mapping of its target market is essential. Having a strategy to aim a product/service at ambiguous market segments results in spreading yourself too thin, especially when resources are tight. Market positioning of products is of paramount importance for successfully generating revenue at a quicker pace. To learn more about revenue and market segmentation please click <a href="http://usmansheikh.wordpress.com/2008/06/06/revenue-and-market-segmentation/" target="_blank">here</a>.</p>
<p style="text-align:left;"><strong>3. Revenue &#38; Investment:</strong> Investing in correct revenue streams can be the difference between an organization that succeeds and one which does not. It is critical that metrics are put into place to ensure that all revenue streams are closely measured. This will lead to informed decisions on whether it makes financial sense to continue investing in a particular revenue or to focus energies on another stream to ensure that financial stability is maintained. To learn more about revenue and investment please click <a href="http://usmansheikh.wordpress.com/2008/06/07/investment-and-revenue-streams/" target="_blank">here</a>.</p>
<p style="text-align:left;"><strong>4. Revenue &#38; Change:</strong> Our world is in a constant state of flux. We are living through a time where we need to become adept at forecasting as also adapting to changes taking place. This principle applies to all aspects of our lives, in the business sense, it has far reaching implications. We have to avoid becoming rigid at all costs to maintain a competitive direction in the global market place. Failure to do so will result in an inevitable downslide of your organization. To learn more about revenue and change please click <a href="http://usmansheikh.wordpress.com/2008/06/08/change-and-revenue-streams/" target="_blank">here</a>.</p>
<p style="text-align:left;"><strong>5. Revenue &#38; Metrics:</strong> Metrics are mandatory components of any successful business. Measuring your revenue streams is essential as you need to be aware of the growth rate of your streams, how quickly your pipeline is being converted, what sort of market share you hold and how the industry you operate in, is changing. Such metrics provide information that will allow you to make informed choices. To learn more about revenue and metrics please click <a href="http://usmansheikh.wordpress.com/2008/06/09/metrics-for-revenue-streams/" target="_blank">here</a>.</p>
<p style="text-align:left;">In todays day and age there are a plethora of startups which have no clear business model, some are purely developed attractive acquisitions while others wait to see how they develop. My advice is, go in with a plan on making money from day one if you want to build a strong and well founded organization. When developing your streams ensure that you cater to each level of your market segment and create opportunities for scalability and cross selling. Doing so will put you in a favorable position to succeed. </p>
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<title><![CDATA[Metrics for Revenue Streams]]></title>
<link>http://usmansheikh.wordpress.com/?p=201</link>
<pubDate>Mon, 09 Jun 2008 19:15:52 +0000</pubDate>
<dc:creator>Usman Sheikh</dc:creator>
<guid>http://usmansheikh.wordpress.com/?p=201</guid>
<description><![CDATA[Every company has metrics that track performance. The key question is whether these metrics really p]]></description>
<content:encoded><![CDATA[<p style="text-align:center;"><strong>Every company has metrics that track performance. The key question is whether these metrics really provide visibility to performance as viewed by the customer."</strong> Steve Matthesen</p>
<p>Working at a startup, there are always a host of things which need to get done. It is a constant battle with time to stay on track and achieve goals and targets. In the midst of this daily commotion, we are inundated with information from all sides. To keep abreast of all these developments, it is essential to develop a system which provides dashboard views about current standings. This is where metrics come into play. They need to be incorporated into every major business function to provide real-time statistics and keep the focus in the right direction.</p>
<p>The metrics for revenue streams used at some of the organizations that I work with, range from being very simple to relatively complex depending on the nature of the business. I have experienced that there are a few metrics which need more focus than others where revenue is concerned. They are:</p>
<p><strong>1. Revenue Stream Growth:</strong> This metric provides data regarding development of each stream of revenue by quarter. It involves data which includes percentage growth numbers, pipeline activity and deal closures. These figures provide detail analysis on streams that are growing at a faster pace than others, the stages of revenue facing plateaus and how projected business is forecast in the coming quarters for each stream. </p>
<p><strong>2. ROI on Revenue Streams:</strong> It is one thing to have an extremely high turnover and a completely different story when that is not being converted into bottom line results. This metric provides data regarding the profitability of each segment and a break-down of investment into the stream, as well as marketing costs and cost of goods/services. Constant vigilance helps regarding which streams need to be promoted and which need to be ceased. </p>
<p><strong>3. Market Share &#38; Industry Analytics:</strong> This metric keeps track of current growth trends in the industry the organization operates in. It constantly updates data regarding major changes on competition, government policies, economics climate and company position. This requires constant study to stay current with the rapid changes taking place. </p>
<p>While keeping all the metrics in mind make sure that you take time out to compare them with related metrics to customers, vendors, suppliers and distributors. This will ensure a complete picture of the current situation. At an early stage startup, complicated metrics are not necessary, what is required however, is the ability to put these metrics into practice at basic levels. This will ensure that the position and development of the company is dealt with more effectively.</p>
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<title><![CDATA[Change and Revenue Streams]]></title>
<link>http://usmansheikh.wordpress.com/?p=192</link>
<pubDate>Sun, 08 Jun 2008 17:30:55 +0000</pubDate>
<dc:creator>Usman Sheikh</dc:creator>
<guid>http://usmansheikh.wordpress.com/?p=192</guid>
<description><![CDATA[“The key to success is often the ability to adapt” Anonymous
Our world is in a constant state of]]></description>
<content:encoded><![CDATA[<p style="text-align:center;"><strong>“The key to success is often the ability to adapt”</strong> Anonymous</p>
<p style="text-align:left;">Our world is in a constant state of flux. We are living through a time where we need to become adept at forecasting as also adapting to changes taking place. This principle applies to all aspects of our lives, in the business sense, it has far reaching implications. This story has been heard time and time again, companies become complacent and rigid about rapid changes taking place and soon find themselves compromised. A story, very much in the news these days is, Yahoo!. This company once dominated web search. Today, it finds itself in a messy situation involving corporate raiders and hostile takeovers. What went wrong?</p>
<p style="text-align:left;">Yahoo! pioneers and leaders of web search throughout the 90's became complacent about changes taking place in their domain space. A new entry startup called google started to develop traction. Before you knew it, they became a formidable player in the search market. Yahoo! failed to adapt to this change and continued diversifying their business model into new markets. They failed to defend their primary revenue stream, including a missed opportunity to buy-out google for $3b. This is an example of how the pace of change can turn positions in a matter of years, even for such a large firm. However, this is not the first story of its kind, nor the last, these mistakes take place on a daily basis.</p>
<p style="text-align:left;">If your organization has developed revenue streams which have potential of exponentially increasing over the years, it is your foremost responsibility to protect fiercely. This is done by continuous improvement of the processes, as well as developing complementary assets as barriers around that stream. If done diligently, you will be able to protect yourself from inevitable complacency, which could lead to an unfortunate outcome. On the flip side if you are struggling with your current revenue streams and not being able to develop them further, pay close attention to changes occurring around you. If you are promoting a product/service which has no place in the current market, you need to rethink strategy, and, as soon as possible.</p>
<p style="text-align:left;">Incorporating systems to account for changes in domain, industry, economics climate and external factors is critical to success. Make sure you have them in place to avoid trouble !</p>
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<title><![CDATA[Duality and Creativity]]></title>
<link>http://starweaverwitch.wordpress.com/?p=116</link>
<pubDate>Sun, 27 Apr 2008 13:46:43 +0000</pubDate>
<dc:creator>Starweaver</dc:creator>
<guid>http://starweaverwitch.wordpress.com/?p=116</guid>
<description><![CDATA[Modern Paganism generally views pairs of opposites as complementary, rather than contradictory. We c]]></description>
<content:encoded><![CDATA[<p><a href="http://starweaverwitch.files.wordpress.com/2008/04/worldtree.jpg"><img class="alignleft size-full wp-image-115" src="http://starweaverwitch.wordpress.com/files/2008/04/worldtree.jpg" alt="World Tree" hspace="10" vspace="5" width="187" height="263" align="left" /></a>Modern Paganism generally views pairs of opposites as complementary, rather than contradictory. We celebrate the cycles of time that lead us from darkness into light and back into darkness again. We celebrate life and death as motions in an eternal dance of being. Many of experience the Divine as both male and female - not the featureless abstraction of a "God" who transcends gender concepts, but rather a very feminine Goddess and a very masculine God in lively interaction with each other.</p>
<p>This is not just a modern invention, either. It echoes Aristotle's understanding of virtue as being a creative balance between extremes. Courage, for example, is neither cowardice nor recklessness, but a measured response to a dangerous challenge. Aristotle's conception was a rather static one - a balance, rather than a dance - but it still stands in contrast to the sort of linear thinking that makes good an evil opposite poles or extremes.</p>
<p>One of my favored metaphors for the relationship between complements is that of breathing, We breathe in and then breathe out, in a perpetual cycle. Both are necessary, and in fact each creates the other and is created by it. They must trade off, alternate. It's not a matter of finding a middle ground or compromise between the two (which would mean not breathing at all), but rather engaging each fully, in its proper time.</p>
<p>An artist creates images from using both light and dark colors, not blended to create a uniform gray, but each applied in its own place.</p>
<p>In using both sides of a pair of complementary energies, we open the way to create something new, something alive with the motion and energy that is implicit in any contrast.</p>
<p>This thinking helps me look differently at life's struggles and disappointments. Beginnings and endings complement each other, as do joys and sorrows. We can take them all, experience each fully in its proper place, and create something new - a life that is like a work of art. A good story has both defeats and victories; a good symphony has heavy and light movements; a good life both deepens us and elevates us.</p>
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<title><![CDATA["Red Permeation" : abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, red tone, oozing, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 | Kazuya Akimoto Art Museum]]></title>
<link>http://bobotaro.wordpress.com/2007/11/09/red-permeation-abstract-expressionism-contemporary-tachism-tachisme-informel-red-blots-stains-red-tone-oozing-colorful-abstract-painting-colorful-lyrical-abstraction-complementary-colo/</link>
<pubDate>Fri, 09 Nov 2007 09:28:06 +0000</pubDate>
<dc:creator>bobotaro</dc:creator>
<guid>http://bobotaro.wordpress.com/2007/11/09/red-permeation-abstract-expressionism-contemporary-tachism-tachisme-informel-red-blots-stains-red-tone-oozing-colorful-abstract-painting-colorful-lyrical-abstraction-complementary-colo/</guid>
<description><![CDATA[&nbsp;

Kazuya Akimoto Art Museum 

&nbsp;
Art Blog1



       &#8220;Red Permeation&#8221; : abstra]]></description>
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<h2>       <a href="http://www.kazuya-akimoto.com/2006/2006contents/5467gallery17.htm" title="abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, oozing, red tone, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 &#124; Kazuya Akimoto Art Museum"><font size="4"><font size="5">"Red Permeation" : abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, red tone, oozing, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 &#124; Kazuya Akimoto Art Museum</font></font></a></h2>
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<h6 align="center"><span style="color:#ff9900;"><font size="3">now  RE-categorized</font></span> <a href="http://www.kazuya-akimoto.com/blog1"><font size="3">at Art blog1 </font></a></h6>
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<h1 align="center"><font color="#000066" size="5"><a href="http://www.kazuya-akimoto.com/2006/2006contents/5467gallery17.htm" title="abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, oozing, red tone, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 &#124; Kazuya Akimoto Art Museum"><strong>"Red Permeation"</strong></a></font></h1>
<p align="center"><a href="http://www.kazuya-akimoto.com/2006/2006contents/5467gallery17.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5467_red_permeation_500.jpg" alt="abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, oozing, red tone, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 &#124; Kazuya Akimoto Art Museum" border="0" /></a></p>
<p align="center"><font color="#9900cc" size="2"><strong>acrylic   29 "x 20 "</strong></font></p>
<p align="center"><font size="2">listed <font color="#339999"> in <a href="http://www.kazuya-akimoto.com/2006/2006_top.htm">New Works 2006</a></font></font></p>
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<h2 align="center"><a href="http://kazuya-akimoto.com/keywords/abstract_expressionism_keys.htm" class="key_level_5"><font size="5">abstract expressionism </font></a></h2>
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<h2 align="center"><font size="5"><a href="http://kazuya-akimoto.com/keywords/tachism_keys.htm" class="key_level_4">tachisme</a></font></h2>
<h2 class="key_level_3" align="center"><font size="5"><a href="http://kazuya-akimoto.com/keywords/complementary_colors_keys.htm" class="key_level_5">complemenatry colors </a></font></h2>
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<h3 class="keytable" align="center">#6347   "Blue Venus, the goddess of love"</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2007/2007contents/6347gallery9.html"><img src="http://kazuya-akimoto.com/2007/2007images/IMG_6347_blue_venus_200.jpg" alt="Blue Venus, the goddess of love : blue  symbolism, figurative woman , female bust, mythological roman goddess, portrait, complementary color painting #6347, 2007 &#124; Kazuya Akimoto Art Museum — Venus, Aphrodite, love, blue, symbolism, symbolic, woman, female,   body, bust, roman, greek mythology, portrait, complementary colors, blue, red, painting 2007" border="0" height="293" width="200" /></a></p>
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<h3 class="keytable" align="center"><a href="http://kazuya-akimoto.com/2007/2007contents/6304gallery8.html" title="'Three Wise Men' &#124; new, expressionism,  biblical, figurative, human face, juxtaposition, complementary color, acrylic painting #6304, 2007 &#124; Kazuya Akimoto Art Museum " class="keytable">#6304   "Three Wise Men " </a></h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2007/2007contents/6304gallery8.html"><img src="http://kazuya-akimoto.com/2007/2007images/IMG_6304_three_wise_men_280.jpg" alt="Three Wise Men" border="0" height="194" width="280" /></a></p>
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<h3 class="keytable" align="center">#6247   "Ten Blue Eyes"</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2007/2007contents/6247gallery7.html" title="'Ten Blue Eyes' &#124; exrpessionism, raw art, surrealism, human face painting 2007 &#124; Kazuya Akimoto Art Museum"><img src="http://kazuya-akimoto.com/2007/2007images/IMG_6247_ten_blue_eyes_tn.jpg" alt="Ten Blue Eyes" border="0" height="296" width="200" /></a></p>
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<h3 class="keytable" align="center">#6088   "Too Many Curves "</h3>
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<h3 class="keytable" align="center">#5467   "Red Permeation "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5467gallery17.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5467_red_permeation_280.jpg" alt="abstract expressionism, contemporary tachism, tachisme, informel, red blots, stains, oozing, red tone, colorful abstract painting, colorful lyrical abstraction, complementary colors, acrylic beautiful painting #5467, 2006 &#124; Kazuya Akimoto Art Museum" border="0" height="237" width="280" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">2006</p>
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<table align="center" border="0" cellspacing="5">
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<p align="center">&#160;</p>
<h3 class="keytable" align="center">#5409   "Tacit Conversation "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5409gallery16.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5409_tacit_conversation_280.jpg" alt="abstract surrealism, abstract human figures, abstract human statues, juxtaposition, complementary color, ambiguous, vague, obscure, suggestive symbols,  surrealist, surrealisme, surreal, odd, strange, blue and red, architectural, interior, acrylic surrealist painting #5409, 2006 &#124; Kazuya Akimoto Art Museum" border="0" width="260" /></a></p>
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<p class="keytable" align="center">&#160;</p>
<p class="keytable" align="center">2006</p>
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<table align="center" border="0" cellspacing="5">
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<td height="19">
<p align="center">&#160;</p>
<h3 class="keytable" align="center">#5338   "Stealth Fireworks "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5338gallery15.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5338_stealth_fireworks_tn.jpg" alt="abstract thick line pattern, blue-red, comparison, juxtaposition, brush stroke pattern, dynamic movement, complementary color, acrylic painting #5338, 2006 &#124; Kazuya Akimoto Art Museum " border="0" height="191" width="280" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">2006</p>
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<table class="keytable" align="center" border="0" cellspacing="5" width="283">
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<p align="center">&#160;</p>
<h3 class="keytable" align="center">#5307 "Orange and Red, Teardrop Abstract Flowers "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5307gallery14.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5307_teardrop_flowers_200.jpg" alt="Orange and Red, Teardrop Abstract Flowers : abstract colorful flower, orange and red flower pattern, abstract expressionism botanical floral acrylic painting #5307,2006 &#124; Kazuya Akimoto Art Museum" border="0" height="291" width="200" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">2006</p>
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<table class="keytable" align="center" border="0" cellspacing="5" width="283">
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<td width="271">
<p class="keytable" align="center">&#160;</p>
<h3 class="keytable" align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5208gallery12.htm" class="keytable" title="expressionism, interior, complementary color green and red religious painting 2006 &#124; Kazuya Akimoto Art Museum">#5208   "Chapel Entrance" </a></h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5208gallery12.htm" title="expressionism, interior, complementary color green and red religious painting 2006 &#124; Kazuya Akimoto Art Museum"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5208_chapel_entrance_tn.jpg" alt="Chapel Entrance" border="0" height="294" width="200" /></a></p>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5208gallery12.htm" title="expressionism, interior, complementary color green and red religious painting 2006 &#124; Kazuya Akimoto Art Museum" class="keytable"></a></p>
<p class="keytable" align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5208gallery12.htm" title="expressionism, interior, complementary color green and red religious painting 2006 &#124; Kazuya Akimoto Art Museum" class="keytable">2006</a></p>
<p><a href="http://kazuya-akimoto.com/2006/2006contents/5208gallery12.htm" title="expressionism, interior, complementary color green and red religious painting 2006 &#124; Kazuya Akimoto Art Museum" class="keytable">      </a></td>
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<p align="center">&#160;</p>
<h3 class="keytable" align="center">#5006   "Jumping Green and Red "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2006/2006contents/5006gallery9.htm"><img src="http://kazuya-akimoto.com/2006/2006images/IMG_5006_jumping_g_and_r_tn.jpg" alt="Jumping Green and Red" border="0" height="191" width="283" /></a></p>
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<p class="keytable" align="center">2006</p>
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<p align="center">&#160;</p>
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<p align="center"><a href="http://kazuya-akimoto.com/2005/2005contents/4230gallery6.htm" title="abstract flow pattern, complementary color acrylic painting 2005 &#124; Kazuya Akimoto Art Museum "><img src="http://kazuya-akimoto.com/2005/2005imges/4230_g_r_flow_pattern_th.jpg" alt="Green and Red  Flow Pattern" border="0" width="200" /></a></p>
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<p align="center">&#160;</p>
<p align="center"><a href="http://kazuya-akimoto.com/2005/2005contents/4230gallery6.htm" class="keytable">2005</a></p>
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<p align="center">&#160;</p>
<h3 class="keytable" align="center">kin2005   "Counterpoint"</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2004revised/2004contents/kin2005gallery15.htm"><img src="http://kazuya-akimoto.com/2004revised/2004revised_images/kin2005new_count_200_tn.jpg" alt="Counterpoint" border="0" height="238" width="200" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">2005</p>
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<p align="center">&#160;</p>
<h3 class="keytable">#1824 "Two pairs of Right Triangles "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/2004revised/2004contents/1824gallery5.htm"><img src="http://kazuya-akimoto.com/2004revised/2004revised_images/1824_two_pairs_triangles_200.jpg" alt="Two Pairs of Right Triangles" longdesc="http://kazuya-akimoto.com" border="0" height="234" width="200" /></a></p>
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<p align="center">&#160;</p>
<p align="center">2004</p>
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<p align="center">&#160;</p>
<h3 class="keytable">pas014   "The Comparison "</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/acquisitionlite/contents/pas014.html"><img src="http://kazuya-akimoto.com/acquisitionlite/images/2003pas014_comparison.jpg" alt="The Comparison" border="0" width="280" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">2003</p>
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<p align="center">&#160;</p>
<h3 class="keytable">"Depression"</h3>
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<p align="center"><a href="http://kazuya-akimoto.com/classics/contents/blue_red_alt.html"><img src="http://kazuya-akimoto.com/classics/contents/images/blue_red_depression_200_tn.jpg" alt="Depression" border="0" height="289" width="200" /></a></p>
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<p align="center">&#160;</p>
<p class="keytable" align="center">early work</p>
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<p class="menu_bottom" align="center">&#160;</p>
<p class="menu_bottom" align="center">&#160;</p>
<p class="menu_bottom" align="center">&#160;</p>
<p class="menu_bottom" align="center">&#160;</p>
<p class="menu_bottom" align="center">&#160;</p>
<p class="menu_bottom" align="center">&#160;</p>
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<h5 class="h5_pale"><font color="#666666" size="4">Kazuya Akimoto Art Museum </font></h5>
<h2 class="keywords_top_title"><span class="keytable"> <strong><font size="6">Art Keywords, Tag Cloud </font></strong></span></h2>
<p class="bottom_links"><font size="4">within museum paintings </font></p>
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<p class="h3keys" align="center">&#124; <a href="http://kazuya-akimoto.com/index.html">Home</a> &#124; <a href="http://kazuya-akimoto.com/statement.htm">statement</a> &#124; <a href="http://kazuya-akimoto.com/selected.htm">selected paintings</a> &#124; <a href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm">keywords</a> &#124;</p>
<p class="h3keys" align="center">&#124;<a href="http://www.kazuya-akimoto.com/classics/index.html"> past works</a> &#124; <a href="http://acquisitionlite.kazuya-akimoto.com/">2003</a> &#124; <a href="http://kazuya-akimoto.com/2004revised/2004revised_top.htm">2004</a> &#124; <a href="http://kazuya-akimoto.com/2005/2005_top.htm">2005</a> &#124; <a href="http://kazuya-akimoto.com/2006/2006_top.htm">2006</a> &#124; <a href="http://kazuya-akimoto.com/2007/2007_top.htm">2007</a> &#124; <a href="http://kazuya-akimoto.com/links_new.htm">links</a> &#124; <a href="http://kazuya-akimoto.com/rss.xml">RSS</a> &#124; blog <a href="http://kazuya-akimoto.com/blog/">0</a> <a href="http://kazuya-akimoto.com/blog1/">1</a> 2 3 <a href="http://kazuya-akimoto.com/blog4/">4</a>&#124; <a href="http://kazuya-akimoto.com/contact_info.htm">contact</a> &#124;</p>
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<p class="h3keys" align="center">©pre2000-2007 Kazuya Akimoto all rights reserved.</p>
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<p align="center"> <a href="http://www.technorati.com/tags/art" rel="tag">art</a> <a href="http://www.technorati.com/tags/2006" rel="tag">2006</a> <a href="http://www.technorati.com/tags/painting" rel="tag">painting</a> <a href="http://www.technorati.com/tags/new" rel="tag">new</a> <a href="http://www.technorati.com/tags/paintings" rel="tag">paintings</a> <a href="http://www.technorati.com/tags/painter" rel="tag">painter</a> <a href="http://www.technorati.com/tags/artist" rel="tag">artist</a>, <a href="http://www.technorati.com/tags/museum" rel="tag">museum</a> <a href="http://www.technorati.com/tags/artwork" rel="tag">artwork</a> <a href="http://www.technorati.com/tags/visual" rel="tag">visual</a> <a href="http://www.technorati.com/tags/japan" rel="tag">japan</a> <a href="http://www.technorati.com/tags/tokyo" rel="tag">tokyo</a> <a href="http://www.technorati.com/tags/kazuya" rel="tag">kazuya</a> <a href="http://www.technorati.com/tags/akimoto" rel="tag">akimoto</a> <a href="http://www.technorati.com/tags/surrealism" rel="tag">surrealism</a> <a href="http://www.technorati.com/tags/symbolism" rel="tag">symbolism</a> <a href="http://www.technorati.com/tags/expressionism" rel="tag">expressionism</a> <a href="http://www.technorati.com/tags/abstract" rel="tag">abstract</a> <a href="http://www.technorati.com/tags/contemporary" rel="tag">contemporary</a> <a href="http://www.technorati.com/tags/acrylic" rel="tag">acrylic</a> <a href="http://www.technorati.com/tags/pastel" rel="tag">pastel</a> <a href="http://www.technorati.com/tags/gouache" rel="tag">gouache</a> <a href="http://www.technorati.com/tags/oil" rel="tag">oil</a> <a href="http://www.technorati.com/tags/cool" rel="tag">cool</a> <a href="http://www.technorati.com/tags/minimalism" rel="tag">minimalism</a> <a href="http://www.technorati.com/tags/avant-garde">avant-garde</a> <a href="http://www.technorati.com/tags/hot"> hot</a> <a href="http://www.technorati.com/tags/japanese">japanese</a> <a href="http://www.technorati.com/tags/geometric">geometric</a> <a href="http://www.technorati.com/tags/landscape">landscape</a> <a href="http://www.technorati.com/tags/cityscape">cityscape</a> <a href="http://www.technorati.com/tags/google">google</a> <a href="http://www.technorati.com/tags/yahoo">yahoo</a> <a href="http://www.technorati.com/tags/msn">msn</a> <a href="http://www.technorati.com/tags/blog">blog</a> <a href="http://www.technorati.com/tags/image">image</a> <a href="http://www.technorati.com/tags/picture">picture</a> <a href="http://www.technorati.com/tags/cubism">cubism</a> <a href="http://www.technorati.com/tags/impressionism">impressionism</a> <a href="http://www.technorati.com/tags/contemporary">contemporary</a> <a href="http://www.technorati.com/tags/rss">rss</a> <a href="http://www.technorati.com/tags/atom">atom</a> <a href="http://www.technorati.com/tags/feed">feed</a> <a href="http://www.technorati.com/tags/color">color</a> <a href="http://www.technorati.com/tags/blue">blue</a> <a href="http://www.technorati.com/tags/yellow">yellow</a> <a href="http://www.technorati.com/tags/red">red</a> <a href="http://www.technorati.com/tags/white">white</a> <a href="http://www.technorati.com/tags/black">black</a> <a href="http://www.technorati.com/tags/green">green</a> <a href="http://www.technorati.com/tags/gold">gold</a> <a href="http://www.technorati.com/tags/silver">silver</a> <a href="http://www.technorati.com/tags/peintre">peintre</a> <a href="http://www.technorati.com/tags/paysage">paysage</a> <a href="http://www.technorati.com/tags/tabeleau">tableau</a> <a href="http://www.technorati.com/tags/galerie">galerie</a> <a href="http://www.technorati.com/tags/musée">musée</a> <a href="http://www.technorati.com/tags/œuvre">œuvre</a> <a href="http://www.technorati.com/tags/abstrait">abstrait</a> <a href="http://www.technorati.com/tags/expressionnisme">expressionnisme</a> <a href="http://www.technorati.com/tags/contemporain">contemporain</a> <a href="http://www.technorati.com/tags/artiste">artiste</a> <a href="http://www.technorati.com/tags/cubisme">cubisme</a> <a href="http://www.technorati.com/tags/surréalisme">surréalisme</a> <a href="http://www.technorati.com/tags/figural">figural</a> <a href="http://www.technorati.com/tags/figurative">figurative</a> <a href="http://www.technorati.com/tags/gallery">gallery</a> <a href="http://www.technorati.com/tags/galer�a">galería</a> <a href="http://www.technorati.com/tags/galleria">galleria</a></p>
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<title><![CDATA[Alternative therapies and their crucial role in healing]]></title>
<link>http://holisticfeathers.wordpress.com/?p=237</link>
<pubDate>Fri, 13 Jun 2008 11:45:30 +0000</pubDate>
<dc:creator>Holistic Feathers</dc:creator>
<guid>http://holisticfeathers.wordpress.com/?p=237</guid>
<description><![CDATA[It is unscientific to pour wholesale scorn on complementary medicine
Alarmist condemnation of all al]]></description>
<content:encoded><![CDATA[<h3><strong>It is unscientific to pour wholesale scorn on complementary medicine</strong></h3>
<p><em><strong>Alarmist condemnation of all alternative therapies ignores the crucial role some could play in the human healing process</strong></em></p>
<p class="MsoNormal">Suckers: How Alternative Medicine Makes Fools of Us All; Snake Oil Science; and next month sees another, Trick or Treatment: what these new books have in common is varying degrees of frustration at the seemingly inexorable rise of complementary medicine. It seems the aim of some of these authors is to finish off a burgeoning health industry that they believe is based on charlatans and quacks preying on the gullible and desperate.</p>
<p class="MsoNormal">The books reflect the growing exasperation in some quarters that public opinion is not as amenable to persuasion and scientific evidence as they would hope. The language gets lurid; the mood music to pronouncements on complementary medicine is increasingly alarmist - we are living in dangerous times, an unEnlightenment looms as tides of irrationality threaten to overwhelm the palisades erected by science. "Reason is a precious but fragile thing," declared Richard Dawkins in his series, The Enemies of Reason, last autumn. "Reason has liberated us from superstition and given us centuries of progress. We abandon it at our peril."</p>
<p class="MsoNormal">What so troubles these science warriors is that it is estimated a third of people in the UK now use complementary medicine, at a cost of £1.5bn a year. In the US, the figures are substantially higher; it has been calculated that more visits are made to healing therapists than to doctors. There is an extraordinary paradox here: a half-century of astonishing conventional medical advances has not succeeded in eliminating complementary medicine. Quite the reverse: the breakthroughs in conventional medicine have been accompanied by the proliferation of other forms of healing - many of which have little or no evidence base to prove their efficacy. Indeed, it only takes a short surf on the web to discover that the wilder shores of this burgeoning industry are, well, pretty wild.</p>
<p class="MsoNormal">To the science warriors, this bizarre state of affairs can only be explained by irrationality. They bemoan the state of science education and lament how, contrary to expectation, literacy and access to information have failed to eradicate superstition. Meanwhile, in this increasingly sharply polarised debate, complementary medicine practitioners are equally exasperated by what they see as blinkered scientific reductionism.</p>
<p class="MsoNormal">So it takes a brave scientist to launch into this territory and risk getting attacked from both camps by daring to ask a simple question: is there anything science can learn from complementary medicine? That is precisely what Kathy Sykes is doing in her current television series, Alternative Therapies (the second programme is on BBC2 tonight). As Bristol University's professor of public engagement in science and the director of the Cheltenham Festival of Science, no one can challenge her credentials as a scientist, yet her scrutiny of particular therapies throws up serious challenges to conventional medicine.</p>
<p class="MsoNormal">Sykes is too good a scientist to give complementary medicine an easy run. Tonight she examines reflexology, and gives it pretty short shrift. There are 30,000 reflexologists working on a million British feet a year. They base their work on a theory that parts of the sole of the foot correlate to organs in the body. The only problem is that Sykes could find no one, reflexologist or scientist, who could explain how these correlations might work. Furthermore, it turned out that this "ancient" healing system seems to have originated with an imaginative American woman in the 1930s. But patients swear by it. One reflexologist points Sykes to her annual garden party full of babies and children as evidence of the success she has had with infertility problems. This is the point where most scientists snort with derision at the use of personal anecdote as evidence, but Sykes presses on and it takes her into two areas of scientific research. First, she digs up new research on the importance of touch, which can have a profound impact on the brain. Even the hand of a stranger reduces anxiety and that of someone with whom one has a close relationship is even more significant. In fact, Sykes finds some scientific underpinning which goes beyond placebo in many of the therapies she looks at. But it is placebo which emerges as a recurrent and crucially important thread in her quest, and it leads her to the work of several American scientists who are trying to identify what placebo is, who it works for, and why it works.</p>
<p class="MsoNormal">This is one of the most common charges made against complementary medicine - that most of it is no better than placebo. But there is a way of turning that accusation around: perhaps complementary medicine is an effective way to harness placebo as one of the most powerful - and cheapest - of healing processes. Rather than being derogatory about the phenomenon as "just" placebo, perhaps we should see it as one of the most remarkable and little understood aspects of the human body.</p>
<p class="MsoNormal">That line of inquiry has taken Sykes to the US several times over the course of the two series she has made. There placebo has become a new frontier in medicine. In a range of studies with startling results - even sham knee surgery can be as effective as the real thing - many factors contribute to placebo: the confidence of the doctor; the social, cultural expectations around the procedure; the empathy and warmth of the patient-doctor relationship; the patient's degree of faith. Get all these right, and the outcome can be remarkable. Harvard professor Ted Kaptchuk is publishing a study this week which shows that placebo is as good as any conventional treatment available for irritable bowel syndrome. Given that the eight most industrialised nations spend $40bn a year on medication for this condition, that's revolutionary stuff.</p>
<p class="MsoNormal">This kind of research into placebo gives some insight into why complementary medicine has boomed and why there are so many people who cite their own experience to passionately defend it. The average consultation with a GP is 4.6 minutes, while the complementary therapist can devote an hour to taking detailed personal histories. That time and relationship provide a context and an opportunity for the ritual and recasting of personal experience which Kaptchuk believes are the crucial elements of placebo.</p>
<p class="MsoNormal">Complementary medicine is most popular where conventional medicine fails, such as with musculoskeletal conditions and mental health - stress, depression, anxiety (the recent revelations about the inefficacy of Prozac were another reminder of how shaky the science is in a large area of conventional medicine). Several complementary therapies are particularly effective at pain relief - you had to see Sykes's footage of hypnotism helping a woman to have teeth extracted without anaesthetic to believe it. Kaptchuk argues that pain is not a static given but can be experienced dramatically differently.</p>
<p class="MsoNormal">Conventional medicine prolongs life but is less successful in prolonging good health - we can expect to spend more years of our life in poor health, as a government report showed last week - and in producing wellbeing. So people are voting with their feet, trying to find other ways to fill the gaps left by conventional medicine. We need scientists to help to identify what they are looking for and why, rather than pouring scorn indiscriminately on the whole field and on the relations between belief, mind and body, of which science still has such a fragmentary understanding.</p>
<p class="MsoNormal">(c) Madeleine Bunting, <a href="http://www.guardian.co.uk/commentisfree/2008/mar/24/medicalresearch.pseudoscience?gusrc=rss&#38;feed=society" target="_blank">The Guardian</a>, March 2008</p>
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<title><![CDATA[Medical and Health Care Special Interest Group (SIG)]]></title>
<link>http://anyasophia.wordpress.com/?p=22</link>
<pubDate>Tue, 10 Jun 2008 16:06:02 +0000</pubDate>
<dc:creator>anyasophia</dc:creator>
<guid>http://anyasophia.wordpress.com/?p=22</guid>
<description><![CDATA[Hello,
Each month I co-host this group with my colleague Ruth Hadikin. If you have an interest in tr]]></description>
<content:encoded><![CDATA[<p>Hello,</p>
<p>Each month I co-host this group with my colleague Ruth Hadikin. If you have an interest in transforming health care culture to one with a more holistic, integrative, approach to health, healing and well-being this group may interest you. Please feel free to join us…</p>
<p>Warmly, Ruth</p>
<p><strong>This month’s meeting:</strong></p>
<p style="text-align:center;"><strong>10:00 am ET (3pm UK), Friday, June20th on bridge 407-649-8983</strong><br />
(US bridge, UK callers dial 001 <em>before</em> this number)</p>
<p style="text-align:left;">This is a <a href="http://www.coachinc.com/"><span style="color:#7f1d1d;">CoachU</span></a> public Special Interest Group (SIG). All are welcome, you don’t need to be part of <a href="http://www.coachinc.com/"><span style="color:#7f1d1d;">CoachU</span></a> to participate. To join email <a href="mailto:Kathleenruth@ConsciousJourneyInstitute.com'"><span style="color:#02729b;">Kathleenruth@ConsciousJourneyInstitute.com’</span></a> and put ‘medSIG invite’ in the subject header.</p>
<p>Our guest speaker Ellen Schuster-Nastir found it easier to access the corporate arena when she began offering a personality assessment tool as part of her coaching practice. She explains to us how this strategy works in the healthcare field.</p>
<p><strong>Don’t miss this month: </strong></p>
<p style="text-align:center;"><strong>“Increasing Communication Skills in Healthcare Offices”</strong></p>
<p>Guest speaker Ellen Schuster-Nastir explains how the Peoplemap™ tool gives organisations a tangible focus, and rationale, for coaching. The benefits are multi-fold from improving interpersonal relationships among employees, more effective patient relationships, and increased employee job satisfaction, productivity and retention.</p>
<p>In addition to understanding healthcare office staffs, this tool helps us understand ourselves: how we relate with others, our natural strengths, and how to turn `weaknesses’ into `learned strengths’.</p>
<p>Ellen Schuster-Nastir M.Ed., CPCC is a Professional Certified Coach, Trainer, Speaker and Co-Author of <em>“When Divorce Crosses Your Mind: What You Need To Know”</em> She coaches professional service offices to work more cohesively together for greater job satisfaction, employee retention and increased productivity.</p>
<p><strong>Contact </strong>Ellen: 813-968-8597<br />
<strong>Email:</strong> <a href="mailto:ellen@focusbydesign.com"><span style="color:#7f1d1d;">ellen@focusbydesign.com</span></a><br />
<strong>Web:</strong> <a href="http://www.focusbydesign.com/"><span style="color:#7f1d1d;">www.focusbydesign.com</span></a></p>
<p>Join us for an engaging and informative call! We look forward to being with you,</p>
<p>Warmly,</p>
<p>Anya Sophia Mann and Ruth Hadikin,<br />
Medical and Healthcare SIG Co-Hosts</p>
<p><strong>Help us grow:</strong></p>
<p>This SIG is for everyone who is interested in, and passionate about, healthcare, and the health and well-being of professionals in the healthcare field.</p>
<p>Help us to achieve our group mission of supporting the transformation of health care culture through deeper awareness and emotional intelligence.</p>
<p>Please invite your friends, family,co-workers - <em>everyone</em> who would like to see healthcare culture transformed - into a happier, healthier environment which nurtures well-being for all.</p>
<p>Tell them they can join us by e-mailing <a href="mailto:Kathleenruth@ConsciousJourneyInstitute.com'"><span style="color:#02729b;">Kathleenruth@ConsciousJourneyInstitute.com’</span></a><br />
and putting ‘medSIG invite’ in the subject header.</p>
<p><strong>About us:</strong></p>
<p>Anya Sophia Mann and Ruth Hadikin<br />
COACHES FOR PERSONAL AND<br />
PROFESSIONAL DEVELOPMENT</p>
<p>Anya 617-233-2581 (US)<br />
<a href="mailto:Anya@ConsciousJourneyInstitute.com"><span style="color:#7f1d1d;">Anya@ConsciousJourneyInstitute.com</span></a><br />
Website: <a href="http://www.consciousjourneyinstitute.com/" target="_new"><span style="color:#7f1d1d;">www.ConsciousJourneyInstitute.com</span></a></p>
<p>Ruth 01309 641058 (UK)<br />
<a href="mailto:Kathleenruth@ConsciousJourneyInstitute.com"><span style="color:#7f1d1d;">Kathleenruth@ConsciousJourneyInstitute.com’</span></a></p>
<p><strong><a href="http://www.consciousjourneyinstitute.com/commcomm.htm" target="_new"><span style="color:#7f1d1d;">Join Our Community</span></a></strong><br />
<strong><a href="http://visitor.roving.com/email.jsp?m=1011233814090" target="_new"><span style="color:#7f1d1d;">Join Our Email List</span></a></strong></p>
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<title><![CDATA["Reptile Rebel Angel, Awakened" : New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, monster, strange creature, Lucifer, Satan, devil, fallen angel theme, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 | Kazuya Akimoto Art Museum]]></title>
<link>http://bobotaro.wordpress.com/?p=456</link>
<pubDate>Sun, 08 Jun 2008 09:30:24 +0000</pubDate>
<dc:creator>bobotaro</dc:creator>
<guid>http://bobotaro.wordpress.com/?p=456</guid>
<description><![CDATA[



Kazuya Akimoto Art Museum






&#8220;Reptile Rebel Angel, Awakened&#8221; : New, contemporary ]]></description>
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<h5><a href="http://www.kazuya-akimoto.com"><strong><span style="font-size:medium;">Kazuya Akimoto Art Museum</span></strong></a><a href="http://www.kazuya-akimoto.com/rss.xml"><img src="http://www.kazuya-akimoto.com/feed-icon.gif" border="0" alt="" /></a></h5>
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<h2><a title="New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 &#124; Kazuya Akimoto Art Museum" href="http://www.kazuya-akimoto.com/2008/2008contents/7448gallery8.html">"Reptile Rebel Angel, Awakened" : New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, monster, strange creature, Lucifer, Satan, devil, fallen angel theme, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 &#124; Kazuya Akimoto Art Museum</a></h2>
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<p align="center">named and added to<a href="http://www.kazuya-akimoto.com/2008/2008contents/gallery8.html"> gallery #8</a>,2008  at <a href="http://www.kazuya-akimoto.com">Kazuya Akimoto Art Museum</a></p>
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<h1><a href="http://www.kazuya-akimoto.com/2008/2008contents/7448gallery8.html"><span style="font-size:large;"><strong>"Reptile Rebel Angel, Awakened"</strong></span></a></h1>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7448gallery8.html"><br />
<img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7448_reptile_rebel_angel_500.jpg" border="0" alt="New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 &#124; Kazuya Akimoto Art Museum" /></a></p>
<p align="center">acrylics 21"x18"</p>
<p align="center">lisited  in <a href="http://www.kazuya-akimoto.com/2008/2008_top.htm">New Paintings  2008</a></p>
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<h2><a class="key_level_4" title="Keywords, Tags, within Kazuya Akimoto Museum Paintings" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm">Keywords</a></h2>
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<h6>(within Museum paintings)</h6>
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<h2><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/angel_keys.htm">angel</a></h2>
<h2 class="key_level_5"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/animal_symbolism_keys.htm">animal symbolism</a></h2>
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<h2 class="key_level_4"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/dark_keys.htm">dark</a></h2>
<h2 class="key_level_5"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/christianity_keys.htm">chiristianity</a></h2>
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<h2 class="key_level_5"><a class="key_level_4" href="http://www.kazuya-akimoto.com/keywords/green_and_red_keys.htm">green and red</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/evil_keys.htm">evil</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/living_things_keys.htm">living things</a></h2>
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<h2 class="key_level_4"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/surrealism_keys.htm">surrealism </a></h2>
<h2 class="key_level_4"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/surreal_expressionism_keys.htm">surreal expressionism </a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/monsters_keys.htm">monster</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/odd_creatures_keys.htm">odd creature</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/odd_keys.htm">odd</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/eerie_keys.htm">eerie</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/distortion_keys.htm">distortion</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/symbolic_keys.htm">symbolism</a></h2>
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<h2 class="key_level_3"><a class="key_level_4" href="http://www.kazuya-akimoto.com/keywords/latest_keys.htm">latest 10 paintings </a></h2>
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<p><!--Today's Keyword --></p>
<h2><strong><span style="font-size:large;">Today's Keyword</span></strong></h2>
<h4><strong>within Museum paintings</strong></h4>
<h2><strong><span style="font-size:large;"><a href="http://www.kazuya-akimoto.com/keywords/animal_symbolism_keys.htm">animal symbolism </a> </span></strong></h2>
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<p align="center"><span class="h5_pale"><strong>related keywords</strong></span> : <span class="key_level_1"><a href="http://www.kazuya-akimoto.com/keywords/animals_keys.htm">animals</a>, <a href="http://www.kazuya-akimoto.com/keywords/bugs_keys.htm">bugst,</a> <a href="http://www.kazuya-akimoto.com/keywords/beasts_keys.htm">besats</a></span></p>
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<p class="keytable" align="center">#7448 "Reptile Rebel Angel, Awakened "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7448gallery8.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7448_reptile_rebel_angel_280.jpg" border="0" alt="New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="195" /></a></p>
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<p class="keytable" align="center">#7380 "Abstract Lion Dance "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7380gallery7.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7380_lion_dance_280.jpg" border="0" alt="New, Japanese, Chinese, Korean, Vietnamese, and other Asian countries' cultural dance tradition theme painting, animal symbolism, abstract animal, dance, abstract animal expressionism, thick line movement patterns, acrylic painting #7380, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="194" /></a></p>
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<p class="keytable" align="center">#7373 "The Giant Cave Ant"</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7373gallery7.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7373_giant_cave_ant_200.jpg" border="0" alt="New, abstract realism, black and white living thing painting, animal, insect symbolism, abstract ancient cave style realism, impromptu, improvised, rough brush strokes, abstract symbolism, acrylic painting # 7373, 2008 &#124; Kazuya Akimoto Art Museum" width="200" height="287" /></a></p>
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<p class="keytable" align="center">#7357 "The Fly Head "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7357gallery7.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7357_fly_head_280.jpg" border="0" alt="New, surreal realism, contemporary black and white realism, insect theme black and white animal, insect symbolism, surrealism, facial expression, magnified fly face, head image, acrylic painting #7357, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="192" /></a></p>
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<p class="keytable" align="center">#7347 "Angry Brown Horse  "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7347gallery7.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7347_angry_brown_horse_200.jpg" border="0" alt="New, extreme, ultra, radical expressionism, horse, equine, animal symbolism, rough brush stroke pattern, distortion, deforme, distorted horse face, manga, anime, pop art style, facial expression, facial abstraction, acrylic painting #7347, 2008 &#124; Kazuya Akimoto Art Museum" width="200" height="285" /></a></p>
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<p class="keytable" align="center">#7221 "Two Carps in the sky ( koinobori) "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7221gallery4.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7221_two_carps_280.jpg" border="0" alt="New, contemporary Japonism, Japonisme, Japanese culture theme, strong, raw art, Japanese animal symbolism, acrylic painting# 7221, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></p>
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<p class="keytable" align="center">#7194 "Crocodile Eye "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7194gallery4.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7194_crocodile_eye_280.jpg" border="0" alt="New, animal symbolism, eye symbolism, reptile, animal skin texture pattern, colorful, abstract realism, acrylic painting #7194, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></p>
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<p class="keytable" align="center">#7133 "Blue Jeweled Cave Cattle "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7133gallery3.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7133_blue_jeweled_cattle_280.jpg" border="0" alt="New, animal symbolism, abstract animal, structural symbolism,ancient cave texture theme, thick, bold, and soft line pattern, acrylic painting #7133, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="185" /></a></p>
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<p class="keytable" align="center">#7118 "Living Sphinx "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7118gallery2.html"><img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7118_living_sphinx_200.jpg" border="0" alt="New, legendary creature, greek, egyptian mythological composite creature, surrealism, female, woman portrait, strange, odd, weird animal,animal symbolism, odd creature, human figure acrylic painting #7118, 2008&#124; Kazuya Akimoto Art Museum" width="200" height="292" /></a></p>
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<p class="keytable" align="center">#6955  "The Lord of the Pigs "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6955gallery20.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6955_lord_of_pigs_280.jpg" border="0" alt="New, black and white, odd, stange, weird, animal, surreal, personified odd creature, personification, surrealist, surrealism painting, anthropomorphous, anthropomorphism, anthropomorphized animal , facial expression, acrylic living thing painting #6955, 2007 &#124; Kazuya Akimoto Art Museum" width="280" height="189" /></a></p>
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<p class="keytable" align="center">#6922  "Cave Cattle "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6922gallery19.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6922_cave_cattle_280.jpg" border="0" alt="New, abstract realism, living thing, animal symbolism, cave image, abstract symbolism, ancient, texture, imapsto, archaeological theme, acrylic painting#6922, 2007 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></p>
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<p class="keytable" align="center">#6898  "Nazca Symmetry "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6898gallery19.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6898_nazca_symmetry_280jpg.jpg" border="0" alt="New, geoglyphic, decorative raw art, ornamental, archaeological, geographical, symmetrical, symbolic animal figure line pattern, symbolic symmetrical line patterns, metallic colors, ancient glyph style, gold, silver, bronze, symmetrical,ornamental, decorative, acrylic, contemporary painting #6898, 2007 &#124; Kazuya Akimoto Art Museum" width="280" height="190" /></a></p>
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<p class="keytable" align="center">#6893  "Reptile Woman "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6893gallery19.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6893_reptile_woman_200.jpg" border="0" alt="New, mythological, legendary, imagenary, symbolic surrealism, surreal realism, female, woman figure, animal symbolism, contemporary, chiaroscuro, sfumato, classical, traditional techniques,female, human body form, acrylic visionary figurative painting #6893,2007 &#124; Kazuya Akimoto Art Museum" width="200" height="288" /></a></p>
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<p class="keytable" align="center">#6706  "Two-Headed Frog "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6706gallery16.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6706_two_headed_frog_280.jpg" border="0" alt="New, odd, strange, weird, eerie, unusual, distortion, distorted, déformé, animal, creature painting,  surrealist, surrealism, living thing, amphibia, acrylic,animal symbolism painting #6706, 2007 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></p>
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<p class="keytable" align="center">#6628   "666 — The Number of the Beast "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6628gallery14.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6628_beast_666_200.jpg" border="0" alt="New, biblical,symbolism,surrealism, raw art, art brut, mosaic style, fierce, savage, sacry monster image, religious, acrylic, christianity, evil animal painting #6628, 2007 &#124; Kazuya Akimoto Art Museum" width="200" height="288" /></a></p>
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<p class="keytable" align="center">#6441   "Moon-Faced Grass-Eating Strange Animal"</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6441gallery11.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6441_moon_faced_280.jpg" border="0" alt="odd, strange, creatire, black and white, chiaroscuro, living thing, black, weird, distortion, distorted, abstract animal painting #6441, 2007 &#124; Kazuya Akimoto Art Museum" width="280" height="195" /></a></p>
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<p class="keytable" align="center">#6435   "Chinese Dragon "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6435gallery11.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6435_chinese_dragon_200.jpg" border="0" alt="New, surrealism, imaginary, legendary, mythological, chinese animal, asian monster, scary,dreadful, eerie, odd, strange, weird acrylic painting #6435, 2007 &#124; Kazuya Akimoto Art Museum" width="200" height="286" /></a></p>
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<p class="keytable" align="center"><a class="keytable" title="gorgeous brilliant full color abstract expressionism symbolism butterfly painting 2007 &#124; Kazuya Akimoto Art Museum" href="http://www.kazuya-akimoto.com/2007/2007contents/6227gallery7.html">#6227   "The Perfect Butterfly  " </a></p>
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<p align="center"><a title="gorgeous brilliant full color abstract expressionism symbolism butterfly painting 2007 &#124; Kazuya Akimoto Art Museum" href="http://www.kazuya-akimoto.com/2007/2007contents/6227gallery7.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6227_perfect_butterfly_tn.jpg" border="0" alt="The Perfect Butterfly ( The Emergence)" width="200" height="296" /></a></p>
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<p align="center"><a class="keytable" href="http://www.kazuya-akimoto.com/2007/2007contents/6227gallery7.html">2007</a></p>
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<p class="keytable" align="center"><a title="abstract symbolic black and white animal painting" href="http://www.kazuya-akimoto.com/2007/2007contents/6168gallery6.html">#6168   "Black Owl " </a></p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6168gallery6.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6168_black_owl_tn.jpg" border="0" alt="Black Owl" width="200" height="301" /></a></p>
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<p class="keytable" align="center">#6067   "Cave Dog "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6067gallery4.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6067_cave_dog_tn.jpg" border="0" alt="Cave Dog" width="280" height="195" /></a></p>
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<p class="keytable" align="center">#6019   "Black  Moth"</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/6019gallery3.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6019_black_moth_tn.jpg" border="0" alt="Black Moth" width="280" height="192" /></a></p>
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<p class="keytable" align="center">#5980   "Gold Bug "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2007/2007contents/5980gallery2.html"><img src="http://www.kazuya-akimoto.com/2007/2007images/IMG_5980_gold_bug_tn.jpg" border="0" alt="Gold Bug" width="200" height="298" /></a></p>
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<p class="keytable" align="center">#5849   "Green Serpent "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2006/2006contents/5849gallery25.html"><img src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5849_green_serpent_tn.jpg" border="0" alt="Green Serpent" width="280" height="185" /></a></p>
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<p class="keytable" align="center">#5822   "Howling"</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2006/2006contents/5822gallery24.html"><img src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5822_howling_tn.jpg" border="0" alt="Howling" width="200" height="299" /></a></p>
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<p class="keytable" align="center">#5786   "My Dog "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2006/2006contents/4742gallery4.htm"></a><a href="http://www.kazuya-akimoto.com/2006/2006contents/5764gallery23.htm"></a><a href="http://www.kazuya-akimoto.com/2006/2006contents/5778gallery23.htm"></a><a href="http://www.kazuya-akimoto.com/2006/2006contents/5786gallery23.htm"><img src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5786_my_dog_tn.jpg" border="0" alt="My Dog" width="200" height="292" /></a></p>
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<p class="keytable" align="center">pas134 "Abstract Peacock "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/acquisitionlite/contents/pas134.html"><img src="http://www.kazuya-akimoto.com/acquisitionlite/images/2003pas134_abstract_peacock_animal_200.jpg" border="0" alt="abstract animal, bird, abstract animal symbolism, yellow, thick line movements, pastel painting pas134, 2003 &#124; Kazuya Akimoto Art Museum" width="200" height="297" /></a></p>
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<p class="keytable" align="center">2003</p>
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<p class="keytable" align="center">"Pale Horse "</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/classics/contents/lookhors.html"><img src="http://www.kazuya-akimoto.com/classics/contents/images/horse/pale_horse_200.jpg" border="0" alt="Classics" width="200" height="255" /></a></p>
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<p align="center">early work ( digital, experimental )</p>
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<p class="keytable" align="center">"Digital Duck"</p>
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<p align="center"><a href="http://www.kazuya-akimoto.com/classics/contents/tori.html"><img src="http://www.kazuya-akimoto.com/classics/contents/images/living/digital_duck_odd_200.jpg" border="0" alt="Classics" width="200" height="255" /></a></p>
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<p align="center">early work ( digital, experimental )</p>
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<p class="keytable" align="center">"Dark Jealousy "</p>
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<p align="center"><img src="http://www.kazuya-akimoto.com/classics/contents/images/horse/dark_jealousy_200.jpg" alt="Classics" width="200" height="255" /></p>
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<p align="center">early work ( digital, experimental )</p>
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<h3><strong><span style="font-size:medium;"><a href="http://www.kazuya-akimoto.com/keywords/latest_keys.htm">latest 10 paintings</a></span></strong></h3>
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<h3><span style="font-size:small;"><a class="key_level_3" href="http://kazuya-akimoto.com/keywords/abstract_keys.htm"><span style="font-size:large;">abstract</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/abstract_expressionism_keys.htm"><span style="font-size:large;">abstract expressionism</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/abstract_landscape_keys.htm"><span style="font-size:large;">abstract landscape</span></a> <a href="http://kazuya-akimoto.com/keywords/animals_keys.htm">animals</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/archaeological_keys.htm"><span style="font-size:medium;">archaeological</span></a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/architectural_keys.htm">architecture</a> <a href="http://kazuya-akimoto.com/keywords/areas_keys.htm">areas</a> <a href="http://kazuya-akimoto.com/keywords/asian_keys.htm">asian</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/astronomical_keys.htm"><span style="font-size:medium;">astronomical</span></a> <a href="http://kazuya-akimoto.com/keywords/biblical_keys.htm">biblical</a> <a href="http://kazuya-akimoto.com/keywords/biological_keys.htm">biological</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/black_keys.htm"><span style="font-size:medium;">black</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/blackandwhite_keys.htm"><span style="font-size:large;">black and white</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/blue_keys.htm"><span style="font-size:medium;">blue</span></a> <a href="http://kazuya-akimoto.com/keywords/blueandred_keys.htm">blue and red</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/botanical_keys.htm"><span style="font-size:medium;">botanical</span></a> <a href="http://kazuya-akimoto.com/keywords/brown_keys.htm">brown</a> <a href="http://kazuya-akimoto.com/keywords/brush_strokes_keys.htm">brush strokes</a> <a href="http://kazuya-akimoto.com/keywords/bugs_keys.htm"><span style="font-size:medium;">bugs</span></a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/buildings_keys.htm"><span style="font-size:medium;">buildings</span></a> <a href="http://kazuya-akimoto.com/keywords/calligraphy_keys.htm">calligraphy</a> <a href="http://kazuya-akimoto.com/keywords/cells_keys.htm">cells </a><a href="http://kazuya-akimoto.com/keywords/chiaroscuro_keys.htm">chiaroscuro</a> <a href="http://kazuya-akimoto.com/keywords/circles_keys.htm">circles</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/cityscape_keys.htm"><span style="font-size:medium;">cityscape</span></a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/color_fields_keys.htm"><span style="font-size:medium;">color fields</span></a> <a class="key_level_1" 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href="http://kazuya-akimoto.com/keywords/elements_keys.htm">elements</a> <a href="http://kazuya-akimoto.com/keywords/evenly_painted_areas_keys.htm">evenly painted</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/evocative_keys.htm"><span style="font-size:medium;">evocative</span></a> <a href="http://kazuya-akimoto.com/keywords/expressionism_keys.htm">expressionism</a> <a href="http://kazuya-akimoto.com/keywords/exterior_keys.htm">exterior</a> <a href="http://kazuya-akimoto.com/keywords/eyes_keys.htm">eyes</a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/faces_keys.htm"><span style="font-size:large;">faces</span></a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/figurative_keys.htm"><span style="font-size:medium;">figurative</span></a> <a href="http://kazuya-akimoto.com/keywords/floating_keys.htm">floating</a> <a href="http://kazuya-akimoto.com/keywords/flowers_keys.htm">flowers</a> <a href="http://kazuya-akimoto.com/keywords/forms_keys.htm">forms</a> <a href="http://kazuya-akimoto.com/keywords/fractions_keys.htm">fractions</a> </span> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/geographical_keys.htm"><span style="font-size:medium;">geographical</span></a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/geological_keys.htm"><span style="font-size:medium;">geological</span></a> <a class="key_level_4" href="http://kazuya-akimoto.com/keywords/geometric_keys.htm"><span style="font-size:large;">geometric</span></a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/gold_keys.htm"><span style="font-size:medium;">gold</span></a> <a href="http://kazuya-akimoto.com/keywords/gothic_keys.htm">gothic</a> <a href="http://kazuya-akimoto.com/keywords/graffiti_keys.htm">graffiti</a> <a href="http://kazuya-akimoto.com/keywords/green_and_red_keys.htm">green and red</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/green_keys.htm"><span style="font-size:medium;">green</span></a> <a href="http://kazuya-akimoto.com/keywords/hard_lines_keys.htm">hard lines</a> <a class="h3keys" href="http://kazuya-akimoto.com/keywords/hexagons_keys.htm">hexagons</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/human_figures_keys.htm"><span style="font-size:medium;">human figures</span></a> <a href="http://kazuya-akimoto.com/keywords/icons_keys.htm">icons</a> <a href="http://kazuya-akimoto.com/keywords/inner_keys.htm">inner</a> <span style="font-size:medium;"><a class="key_level_1" href="http://kazuya-akimoto.com/keywords/innerscape_keys.htm">innerscape</a></span> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/interior_keys.htm"><span style="font-size:medium;">interior</span></a> <a href="http://kazuya-akimoto.com/keywords/irregular_forms_keys.htm">irregular forms</a> <span style="font-size:small;"><a class="key_level_2" href="http://kazuya-akimoto.com/keywords/juxtaposition_keys.htm"><span style="font-size:medium;">juxtaposition</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/landscape_keys.htm"><span style="font-size:large;">landscape</span></a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/light_keys.htm"><span style="font-size:medium;">light</span></a> <a href="http://kazuya-akimoto.com/keywords/lines_keys.htm">lines</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/living_things_keys.htm"><span style="font-size:medium;">living things</span></a> </span> <span style="font-size:small;"><a class="key_level_1" href="http://kazuya-akimoto.com/keywords/man_keys.htm"><span style="font-size:medium;">man</span></a> <a href="http://kazuya-akimoto.com/keywords/masses_keys.htm">masses</a> <a href="http://kazuya-akimoto.com/keywords/mathematics_keys.htm">mathematics</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/minimalism_keys.htm"><span style="font-size:medium;">minimalism</span></a> <a class="key_level_3" href="http://kazuya-akimoto.com/keywords/monotone_keys.htm"><span style="font-size:large;">monochrome</span></a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/monsters_keys.htm"><span style="font-size:medium;">monsters</span></a> <a href="http://kazuya-akimoto.com/keywords/mosaic_keys.htm">mosaic</a> <a href="http://kazuya-akimoto.com/keywords/movement_keys.htm">movement</a> <a href="http://kazuya-akimoto.com/keywords/music_keys.htm">music</a> <a href="http://kazuya-akimoto.com/keywords/mythological_keys.htm">mythological</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/natural_elements_keys.htm"><span style="font-size:medium;">natural elements</span></a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/natural_scene_keys.htm"><span style="font-size:medium;">natural scene </span></a><a href="http://kazuya-akimoto.com/keywords/night_keys.htm">night</a> <a href="http://kazuya-akimoto.com/keywords/odd_things_keys.htm">odd things</a> <a href="http://kazuya-akimoto.com/keywords/oozing_keys.htm">oozing</a> <a href="http://kazuya-akimoto.com/keywords/optical_keys.htm">optical </a><a href="http://kazuya-akimoto.com/keywords/orange_keys.htm">orange</a> <a class="key_level_1" href="http://kazuya-akimoto.com/keywords/ornamental_keys.htm"><span style="font-size:medium;">ornamental </span></a></span><span style="font-size:small;"><a class="key_level_1" href="http://kazuya-akimoto.com/keywords/patterns_keys.htm"><span style="font-size:medium;">patterns</span></a> <a href="http://kazuya-akimoto.com/keywords/piles_keys.htm">piles</a> <a href="http://kazuya-akimoto.com/keywords/purple_keys.htm">purple</a> <a href="http://kazuya-akimoto.com/keywords/random_elements_keys.htm">random elements</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/raw_art_keys.htm"><span style="font-size:large;">raw art</span></a> <a href="http://kazuya-akimoto.com/keywords/rectangle_keys.htm">rectangle</a> <a class="key_level_2" href="http://kazuya-akimoto.com/keywords/red_keys.htm"><span style="font-size:large;">red</span></a> <a href="http://kazuya-akimoto.com/keywords/religious_keys.htm">religious</a> </span><span style="font-size:small;"><a href="http://kazuya-akimoto.com/keywords/scientific_keys.htm">scientific</a> <a href="http://kazuya-akimoto.com/keywords/scribble_keys.htm">scribble</a> <a href="http://kazuya-akimoto.com/keywords/sea_keys.htm">sea</a> <a href="http://kazuya-akimoto.com/keywords/seasonal_keys.htm">seasonal</a> <a href="http://kazuya-akimoto.com/keywords/serenity_keys.htm">serenity</a> <a href="http://kazuya-akimoto.com/keywords/shade_keys.htm">shade</a> <a href="http://kazuya-akimoto.com/keywords/silver_keys.htm">silver</a> <a href="http://kazuya-akimoto.com/keywords/sky_keys.htm">sky</a> <a 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<title><![CDATA[Fibro Event in South-east England]]></title>
<link>http://linzworld.wordpress.com/?p=296</link>
<pubDate>Thu, 15 May 2008 06:49:47 +0000</pubDate>
<dc:creator>linzworld</dc:creator>
<guid>http://linzworld.wordpress.com/?p=296</guid>
<description><![CDATA[WHAT DO A SMOOTHIE, A SEAWEED WRAP, AND SPIRULINA ALL HAVE IN COMMON?
 
They are all things suffere]]></description>
<content:encoded><![CDATA[<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="font-size:small;"><strong><span style="color:black;font-family:&#34;"><a href="http://www.sxc.hu/photo/505364"></a>WHAT DO A SMOOTHIE, A SEAWEED WRAP, AND SPIRULINA ALL HAVE IN COMMON?</span></strong><span style="color:black;font-family:&#34;"></span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"><span style="color:black;font-family:'Arial','sans-serif';"><a href="http://www.sxc.hu/photo/505364"><img class="size-medium wp-image-297 alignleft" style="float:left;" src="http://linzworld.wordpress.com/files/2008/05/massage-hot-stone-yellow.jpg?w=225" alt="" width="150" height="200" /></a></span>They are all things sufferers of Fibromyalgia Syndrome can take away free from the Tried and Tested event, being held in Reigate on Thursday 5<sup>th</sup> June in collaboration with the Surrey &#38; Sussex Fibromyalgia Support Group.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">Fibromyalgia Syndrome (Fibro) is a chronic condition whose main symptoms are widespread chronic pain, hypersensitivity to pain and chronic fatigue. Fibro likely affects between 1.2 and 2.7 million people in the UK alone, although this figure may be as high as 10 million as many cases go undiagnosed. </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">Fibro sufferers often struggle because there is no widely accepted treatment regime and many spend large amounts of money on complementary or alternative therapies, sometimes with little or no effect.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">Caroline Hinkes, a Fibro sufferer herself, is now organising a project to try and help find out what complementary therapies work for Fibro sufferers. The Tried and Tested project aims to get volunteers with Fibro to try out complementary therapies for free so that a guide can be compiled with people’s experiences, enabling other sufferers to make targeted decisions about how they spend their money.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">The Tried and Tested project is being launched with an event at 2pm on Thursday 5<sup>th</sup> June in Reigate. Presentations will be made about the various therapies on offer with the project and ice cool healthy smoothies have kindly been sponsored by Urban kitchen for attendees to try. £5,000 worth of products for Fibromyalgia will be made available for volunteer Fibro sufferers to take home for free and test. Volunteers will then be able to keep many of the products.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">Sponsors include Nutri, The Nutri Centre, and many more.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">  </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">Tried and Tested project organiser, Caroline Hinkes says:</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">“I am not selling anything. I have fibromyalgia and have wasted ££££ on stuff that frankly makes NO difference.</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">So together lets test products, find out what works and TELL other sufferers so we can make targeted decisions on how we spend our healing pound....</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">So come on take part in this event. Lets make a difference!  </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0 0 0 36pt;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">It can't happen without YOU!”</span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="background:white;line-height:normal;margin:0;"><span style="color:black;font-family:&#34;"><span style="font-size:small;">The Tried and Tested launch event is taking place at 2pm, on Thursday 5<sup>th</sup> June at The Green Room, Woodhatch Centre (tucked behind some shops), Whitebeam Drive, Reigate RH2 7LS. Please RSVP to </span></span><a title="mailto:Carolinetraining@aol.com" href="mailto:Carolinetraining@aol.com"><span style="color:#370b89;font-family:&#34;text-decoration:none;"><span style="font-size:small;">Carolinetraining@aol.com</span></span></a><span style="color:black;font-family:&#34;"><span style="font-size:small;">.</span></span></p>
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<title><![CDATA["Stabat Mater dolorosa, Blue": New, abstract contemporary religious expressionism painting, abstract Virgin, abstract Mary, distorted female, woman portrait, religious symbolism, abstract symbolism, complementary colors, color contrast, contemporary Christianity theme, traditional, classical theme, blue color symbolism, blue and red, acrylic painting #7300, 2008 | Kazuya Akimoto Art Museum]]></title>
<link>http://bobotaro.wordpress.com/?p=405</link>
<pubDate>Mon, 21 Apr 2008 07:31:08 +0000</pubDate>
<dc:creator>bobotaro</dc:creator>
<guid>http://bobotaro.wordpress.com/?p=405</guid>
<description><![CDATA[



Kazuya Akimoto Art Museum






&#8220;Stabat Mater dolorosa, Blue&#8221;: New, abstract contemp]]></description>
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<h2><a href="http://www.kazuya-akimoto.com"><strong><span style="font-size:medium;">Kazuya Akimoto Art Museum</span></strong></a><a href="http://www.kazuya-akimoto.com/rss.xml"><img src="http://www.kazuya-akimoto.com/feed-icon.gif" border="0" alt="" /></a></h2>
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<h2><a title="New, abstract contemporary religious expressionism painting, abstract Virgin, abstract Mary, distorted female, woman portrait, religious symbolism, abstract symbolism, complementary colors, color contrast, contemporary Christianity theme, traditional, classical theme, blue color symbolism, blue and red, acrylic painting #7300, 2008 &#124; Kazuya Akimoto Art Museum" href="http://www.kazuya-akimoto.com/2008/2008contents/7300gallery6.html">"Stabat Mater dolorosa, Blue": New, abstract contemporary religious expressionism painting, abstract Virgin, abstract Mary, distorted female, woman portrait, religious symbolism, abstract symbolism, complementary colors, color contrast, contemporary Christianity theme, traditional, classical theme, blue color symbolism, blue and red, acrylic painting #7300, 2008 &#124; Kazuya Akimoto Art Museum</a></h2>
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<p align="center">named and added to<a href="http://www.kazuya-akimoto.com/2008/2008contents/gallery6.html"> gallery #6</a>,2008  at <a href="http://www.kazuya-akimoto.com">Kazuya Akimoto Art Museum</a></p>
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<h1><a href="http://www.kazuya-akimoto.com/2008/2008contents/7300gallery6.html"><span style="font-size:large;"><strong>"Stabat Mater dolorosa, Blue"</strong></span></a></h1>
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<p align="center"><a href="http://www.kazuya-akimoto.com/2008/2008contents/7300gallery6.html"><br />
<img src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7300_stabat_mater_dolorosa_blue_450.jpg" border="0" alt="New, abstract contemporary religious expressionism painting, abstract Virgin, abstract Mary, distorted female, woman portrait, religious symbolism, abstract symbolism, complementary colors, color contrast, contemporary Christianity theme, traditional, classical theme, blue color symbolism, blue and red, acrylic painting #7300, 2008 &#124; Kazuya Akimoto Art Museum" /></a></p>
<p align="center">acrylics 21"x18"</p>
<p align="center">lisited  in <a href="http://www.kazuya-akimoto.com/2008/2008_top.htm">New Paintings  2008</a></p>
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<h2><a class="key_level_4" title="Keywords, Tags, within Kazuya Akimoto Museum Paintings" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm"><span style="font-size:large;">Keywords</span></a></h2>
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<h6>(within Museum paintings)</h6>
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<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/woman_keys.htm"><span style="font-size:large;">woman </span></a></h2>
<h2 class="key_level_4"><span style="font-size:large;"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/portrait_keys.htm">portrait</a> </span></h2>
<h2 class="key_level_5"><span style="font-size:large;"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/christianity_keys.htm">christianity </a></span></h2>
<h2><span style="font-size:large;"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/religious_keys.htm">religious</a></span></h2>
<h2 class="key_level_4"><span style="font-size:large;"><a class="key_level_4" href="http://www.kazuya-akimoto.com/keywords/sacred_keys.htm">sacred</a></span></h2>
<h2 cl