This is music of maturity, depth and a sense of purpose, combining synths, sequences, guitars, flutes, violin, percussion and vocal textures to incredible effect. A genuinely stunning debut!

"Dreams and Distant Moonlight" is described by David Wright as being both an "Amalgamation and a further progression of the electronic music style and moods found on recent albums like Walking with Ghosts, Continuum and Momentum". David also says; "This is my 19th solo album and it probably contains most, if not all, of my musical influences and has been an immensely satisfying album to record".

Much of the music has been completed, and a confirmed track listing is as follows; Procession under Moonlight, Velvetude, Touching the Illusion, State of Confusion parts 1-3, State of Bliss, Amorphous, Sun Dust, The Canyon.

Artwork for the album is by American artist Christophe Vacher.

Momentum is a gorgeous studio re-imagining of new music performed by at his USA Gatherings concert in September 2007. His music and performance that night garnered many plaudits and it’s no surprise that it has been reworked in the studio for CD release by AD Music. David states; “I felt inspired by a beautiful, intimate venue and an appreciative audience who were really into the music. Such combinations raise the adrenaline levels and result in an energy and spontaneous creativity that is rarely achieved in the studio”.

The gently evolving, journey style offering is laced with atmospherics and underpinned with gentle percussion and sequences that builds rhythmically as the album progresses.
The two 35 minute pieces are split into 13 parts with interlinking themes that hold the listeners attention from beginning to end and stylistically, follows the trend set with recent epic tracks like “Cassini” and “Sea of Dreams”.

Momentum contains all the best elements of David Wright’s music and is sure to find favour with existing fans and anyone who enjoys high quality electronic music.

Where some electronic music makes me Think, Wright's music makes me Feel”.
Chuck Nixon (USA Gatherings review 2007)

Recording is well under way and both artists have expressed a desire to recreate a modern "Overture" and "Finale" style of album. These 2 pieces seem to symbolise the style of music that many people associate with Wright & Fox from the early 1990's. Further details to follow.

Rhythms pick up the pace and we chug along nicely. David Wright introduces the band members then we get into '24 am'. Dreamy little shimmers and faint samples of an airport or train station waft through the air. A gentle piano melody and brass lead slowly awaken us in a very gentle and soothing way. We flow through to 'Galileo' on the back of massed silken strings which swell to full orchestral proportions, oozing with a sense of wonder but also melancholy.

The title track from the 'Timecode' album uses more vocal samples over tinkling percussion to set the scene. A bass line and rhythm combination strike up and we get a reprise of the melody from the second track. Dual guitars weave a captivating but also restrained spell creating a feel of wonder and deep beauty. Wordless female vocals add a gorgeous ethereal quality. More piano takes us through to 'Stasis', another soothing number with an edge of sadness mainly created through Louise Eggerton's wonderful vocal colouring. The first disc finishes with 'Eden in Chaos'. After a gentle start things really start to motor, a superb bass loop and infectious rhythm providing real depth over which shine soft pads and blissful lead line. Excellent electric guitar gives a slightly aggressive edge which becomes even more so as we near the end. Wonderful stuff!

'Area 52' is a new fifteen minute track. Soothing electric guitar touches hit the spot perfectly whilst lush strings and piano provide an excellent chilled out feel. Acoustic guitar gently augments the electronics making things even more blissed out. The introduction of rhythm and Nigel Turner Heffer's bass drives things forward, though initially it's still quite peaceful. As the track progresses the more powerful things become, the electric guitar soaring to match the heightened excitement. After a humorous introduction from David Wright and Robert Fox we embark on a twelve-minute piece of improvisation called 'Entangled in C'. Soft choral pads swell wonderfully creating quite a euphoric feel. Strings are added and then a gorgeous piano melody sounding like Vangelis at his most tender. Unexpectedly the mood suddenly changes to eerie atmospherics - a real contrast to the first half. Piano returns but this time accompanied by harpsichord adding a wistful touch. We return to the choral pads again to finish. Strident electric guitar provides quite a different feel to the old favourite 'Uforia'. A sequence belts forward with sampled text in background. Little melodic flourishes then a chugging rhythm heighten the excitement. It's always been a good track but this interpretation is simply awesome.

'Cultures' gets into a groove straight away, the drums softened by monastic chants and piano melodies. Electric guitar initially adds a little extra colour but when both guitarists get in on the act the pulse starts to race. This is a real body-moving piece that just oozes joy of being alive. We follow straight through to 'Culture Shift', the pace gradually slows and things become moodier, ending with quite a mournful piano solo. 'Call of the Earth' is one of the most beautiful tracks in the Code Indigo repertoire, melody shining from every note, Louise's vocals giving an angelic quality. Music for the mind and soul. Simply exquisite. The audience demand an encore and the band oblige with 'Code 11'. It arrives with something of a snarl and a mournful guitar wails. This is a track that is full of emotion- sort of a triumphant conclusion but also with a twist of regret. As well as showing just what a superb live act Code Indigo are this set also serves well as a 'best of'. I enjoyed it from beginning to end. (DL @SMD)

Edge of Human is a powerful, melodic journey of instrumental music, throughout which Bekki builds on her style of supreme melody, concentrating as much on the synthetic as the symphonic, while adding even more creativity, warmth and depth to her emotional compositions.

This album again sees Bekki playing flute and also features guitar by Paul Barraclough.

"Edge of Human" is full of rich melodies, lush orchestration, creative energy and intricate sequencing that pulls together elements from her three previous albums.

"Edge of Human" is a triumphant release, rich in substance and style that confirms Bekki stature as one of the leading composers of top quality, melodic instrumental music.

These two experienced instrumental music performers will combine their quite different styles in a new collaborative musical project later in 2007. There is no title yet and the only comment forthcoming thus far is; "It will not be an album of ambient drones". The album will be released by AD Music, with Publishing through Notting Hill Music, probably at the end of 2007 or early 2008. Further information to follow.

The first is "Code Indigo In Concert", (AD57CD) a double live album taken from various 2005 - 2006 concerts, including the bands e-live headline appearance in October 2006.

The second is the eagerly awaited and long overdue Bekki Williams 4th album "Edge of Human" (AD44CD). In many respects, this could easily be regarded as her 3rd album, because stylistically it sits comfortably between her 1998 release "Shadow of the Wind" and the 2005 outing "Innersense". One thing for certain though is that fans of Bekki's rhythmic, melodic new age style of electronic music will be delighted that Edge of Human is finally here!

After what must seem an eternity to her fans, Bekki's fourth album "Edge of Human" (formally titled Monolith) and originally scheduled for 2001 release, is finally here!
And it is, quite simply, stunning! A glorious electronic music voyage that confirms Bekki's stature as one of the top producers of high quality melodic instrumental music. Concentrating on both the synthetic and the symphonic and featuring flute and guitar, "Edge of Human" is a triumphant achievement that successfully incorporates all that is best in the music of Bekki Williams, presenting a dynamic album full of warmth and creative energy, rich in substance and style.

Visit the Bekki Williams page on AD Music for more info and demo mp3's

Full details on the Richard Bone Albums page

There has also been strong positive reaction from media sources, including vanguard online, Synthtopia, SMD, Amazing Sounds and Sylvian Lupari.