In their corner:

Smelly fucking hippies, union thugs, MoveOn.org, snobs, terrorist sympathizers, PETA, elitists, Olbermann, jackasses, Kos Kids, soymilk drinkers, Chris Matthews, crybabies, whiners, America haters, pussies, The New York Times, lazy fuckers, fake tits, scolds, militant drag queens, atheists, John Kerry, victims, liars, baby killers, thieves, Code Pink, douche bags, tree huggers, felons, scumbags and general fucking assholes, crackheads and losers.

In our corner:

Entrepreneurs, rugged individualists, soldiers, mothers, God-fearing church goers, small-town folk, gun toters, ass kickers, George W. Bush, Fox News, CEO’s, business owners, baby lovers, hot chicks, Hank Williams, Jr, Swift Boat vets, beer drinkers, hard workers, the well-mannered, real boobs, the charitable, Dick Cheney, a fucking shitload of bombs, Ace of Spades, cowboys, hard workers, the friggin’ Jooos, patriots, the brave, Pat Buchanan, strippers, winners and Kid fucking Rock....

Also hot triplets with an American Flag painted on their hot triplet bodies....

Let’s roll.

A lot of times I listen to music through a musician's perspective more than that of a merely appreciative fan. When I go to see shows, instead of dancing and getting entertained, my eyes carefully scan the stage looking at the details. I look at what the players' fingers are doing. I look at the brand and model of their instruments and amps. And I listen closely to their signature sound, if there's any. I absorb these things and turn it into inspirations for my own little ventures, later on.

One of the more interesting shows I had the pleasure of seeing back then, was that of a group called Hayseed Dixie. A bluegrass outfit playing AC/DC covers and other rock staples. Now, if you could just get around the fact that this is a bluegrass group and not Guns n Roses, you can start to not only appreciate but be extremely amazed by, as well, the talent oozing from these guys' fingers, as they rip through rock song after rock song you'd only think is possible to perform with Les Pauls and Marshalls.

Their namesake gives away the fact that they can tear through the entire AC/DC catalogue with ease and precision - but I gotta admit... my jaw dropped when they did their version of Motorhead's Ace of Spades. I had to listen to the original version just to check. And what I found out is that Hayseed Dixie played the song almost twice as fast as the original. Unplugged!

The marketing microsite site a sensational experience, god only knows how much they had to pay for the music content on that site, as there are some ROCKING tunes (i.e. Motor Heads "Ace of Spades"....damn that song rocks hard!).

Screen shots:

Visit the site here.

Go and explore the Nokia Music Store

Not geared for Firefox, you have to use IE unfortunately!:

Un monument du rock !

liens : Portail fer forgé - pit bike - référencement e-commerce - sono

You can buy this image online.

Motorhead - Ace Of Spades

Slayer - Angel Of Death

Eronástica sem censura

Sim, isso realmente é transmitido na TV japonesa! Com a apresentação de uma versão masculina e menos bombada da Solange Frasão (???) esse programa que ensina uma forma bizarra, nada ortodoxa e bem pouco confortável de exercícios sexuais tem até pagação de peitinho sem motivo (aaahhh vá! Quem disse que precisa de motivo?) por parte das moças que ficam lá de enfeite repetindo o que o cara faz. Destaque para a trilha sonora que não encaixa com a situação nem com muita boa vontade. Via Nipofilia.

[dailymotion id=x2dlcg]

Koda Kumi feat. Fergie - That Ain't Cool

A música é uma bosta, mas nunca é demais olhar a Koda Kumi ou o corpo do camarão Fergie. Isso junto ao fato de esse clipe simbolizar a explosão que a música japonesa vem tendo mundo afora dão a ele o destaque aqui no blog. Além de, claro, me ajudar a imaginar as duas se pegando. =D

Motorhëad - Ace of Spades, com cenas do filme Mad Max

Uma das músicas mais legais da história do rock, cantada pelo cara que disse "se levar em conta essas bandas novas, o rock morreu" e usando cenas do fodão filme Mad Max. Imperdível! Direto do Bobagento.

Arquivo X: Eu Quero Acreditar - Trailer Russo

Esse é o primeiro trailer de respeito do segundo filme, que parece superar e muito o decepcionante, para mim, primeiro filme baseado na ótima série. Pelo pouco que pode ser visto e entendido (é dublado em russo, dããã) tem tudo para ser um divisor de águas para os filmes a respeito de Ciências Ocultas, da mesma forma que a série foi. Vi no Judão.

Sex Machineguns - S.H.R. ~Sexy Hero Revolution~

Um dos clipes mais divertidos EVER já feito por uma banda. Ele é da Sex Machineguns, uma banda "Bumerangue" japonesa de metal, bumerangue porque já parou e voltou umas cinco vezes. Suas músicas são MUITO divertidas, assim como os shows e o estilo próprio da banda. Merece ser conferida.

Para morrer de rir

Só para continuar com as gracinhas. =D

Wii nas Casas Bahia

Esse é só pra constar mesmo, o comercial foi bem construído e a animação é competente para os padrões que temos aqui, além deles terem conseguido compactar as principais funções do console em 30 segundos. Mas os personagens, claramente criados para parecerem os Miis, não são nada parecidos.

VITAL STATISTICS

ALBUM: Ace Of Spades

BAND: Motorhead

MEMBERS: Lemmy Kilmister (Vocals, Bass) , 'Fast' Eddie Clark(Guitar) , Phil 'Philthy Animal' Taylor (Drums)

RELEASE: 1980

GENRE: Traditional Heavy Metal although they can be considered the forerunners to Speed/Thrash Metal.

FULL-LENGTH: 36:42

LABEL: Bronze Records (Originally)

It's only fitting that my first review is of a classic heavy metal album, and one I've grown to like quite a bit. This is probably Motorhead's most popular album and most likely the best. The album is the 4th by the British band which went on to become one of the top album's of that year. Now for the in-depth review.

1. ACE OF SPADES (2:49)

VOCALS- The immortal title track is lead by Lemmy at his finest. The Lyrics are composed of a gambling theme lead by the iconic Ace Of Spades. For the most part the lyrics are short, sharp and have a good rhythm which is why this song seems to stand out from the album. Lemmy displays his awesome gravelly voice which has earned him so much recognition from the metal fraternity and my god is it good in this track.

Lyrics - 7.5

Delivery - 9.0

Composition - 8.5

GUITAR- 'Fast' Eddie Clark gives a solid performance in this track. His solo and couple of slight breakdowns are strong yet subtle, not over the top, but few none the less. The basic rhythm of the song is fast and rough which is fantastic. The song, while balanced seems suited to the guitar.

Melody - 6.5

Rhythm - 8.0

Composition - 9.0

BASS- Probably Lemmy's strongest performance on this album and it's right off the bat. He keeps the tempo going and really drives the song. He plays just and fast and rough as 'Fast' Eddie.

Rhythm - 7.5

Composition - 8.0

DRUMS- Phil is in some incredible form during this album and this song demonstrates it perfectly. He keeps the fast rhythm impeccably and drives it along with Lemmy.

Rhythm - 8.0

Composition - 8.0

VOCALS - 25/30

GUITAR - 23.5/30

BASS - 15.5/20

DRUMS - 16.5/20

TOTAL - 80.5

2 LOVE ME LIKE A REPTILE (3:23)

VOCALS- The lyrics deal with snake love of some kind, not really into that. The song doesn't quite flow as well as the previous song for example. Its lyrics are longer and more obscure with a different tempo to the song. In saying that, Lemmy still performs strongly, making the lyrics likeable.

Lyrics - 5.5

Delivery - 7.5

Composition - 5.5

GUITAR- A strong showing by Clark. The rhythm is nicely played with a catchy and powerful riff. The solo is also very strong with a nice outro. For the most part, the song is guitar driven.

Melody - 8.0

Rhythm - 7.5

Composition - 6.5

BASS- Lemmy plays solidly, with an ok drive.

Rhythm - 6.0

Composition - 6.5

DRUM- Phil plays with the same solidity as Lemmy. Good work overall.

Rhythm - 6.5

Composition - 7.0

VOCALS - 18.5/30

GUITAR - 22/30

BASS - 12.5/20

DRUMS - 13.5/20

TOTAL - 66

3. SHOOT YOU IN THE BACK (2:39)

VOCALS- This song gives an explanation to the influences of Motorhead, especially the album cover. The Western theme in the lyrics are decent, as well as the delivery and composition.

Lyrics - 6.0

Delivery - 6.5

Composition - 7.0

GUITAR- Decent guitar work during this song. It does fit the other components well though.

Melody - 6.0

Rhythm - 6.0

Composition - 6.0

BASS- Lemmy lowest point on the album. The bass doesn't stand out during the track and feels like it needed more emphasis.

Rhythm - 5.0

Composition - 5.5

DRUMS- The strongest part of this track. Phil outlays some good fills and plays with a slowish tempo but drives well on the whole.

Rhythm - 7.0

Composition - 6.0

VOCALS - 20.5/30

GUITAR - 18/30

BASS - 10.5/20

DRUMS - 13/20

TOTAL - 62

4. LIVE TO WIN (3:37)

VOCALS- By this song you start to see a trend in the vocals. They rhyme and they follow a similar tempo. The lyrics and structure are pretty basic. Thank god for Lemmy who keeps making the songs solid.

Lyrics - 5.5

Delivery - 6.0

Composition - 6.0

GUITAR- Decent rhythm work from Clark. What makes the song stand out is the second solo which is very good.

Melody - 7.0

Rhythm - 6.5

Composition - 6.0

BASS- Fantastic work by Lemmy during this song. The bass intro is very solid and the bassline as a whole is very good. The bass drives the song perfectly.

Rhythm - 7.0

Composition - 8.0

DRUMS- Phil works a nice tempo with some ok technique and drive, but is overshadowed by Lemmy's bass work.

Rhythm - 6.0

Composition - 6.0

VOCALS - 17.5/30

GUITAR - 19.5/30

BASS - 15/20

DRUMS - 12/20

TOTAL - 64

5. FAST AND LOOSE (3:22)

VOCALS- Some very good work here by the band. The lyrics delve into the realm so often used, youth. Difference being that the lyrics are quite energetic. An overall strong performance.

Lyrics - 8.0

Delivery - 8.0

Composition - 7.5

GUITAR- 'Fast' Eddie is at it again. A great riff with nice tempo. The solo is fairly strong but the riff is where it's at for this track

Melody - 6.5

Rhythm - 8.0

Composition - 7.5

BASS- Unfortunately, Lemmy only puts in a decent performance. The bassline is ok and he drives well enough, but being a bassist myself, I prefer to see a bit more emphasis.

Rhythm - 6.0

Composition - 6.0

DRUMS- The drums have a nice tempo in this song with a great beat. Phil shows some real good technique during the track. He follows the guitar quite well and is the primary drive for the song.

Rhythm - 7.5

Composition - 7.0

VOCALS - 23.5/30

GUITAR - 22/30

BASS - 12/20

DRUMS - 14.5/20

TOTAL - 72

6. (WE ARE) THE ROADCREW (3:12)

VOCALS- This is a song that a strangely like. Seems to be a ode to the roadcrews of music. The lyrics are short and repetitious, and as always Lemmy deals out a good performance.

Lyrics - 7.0

Delivery - 6.5

Composition - 7.5

GUITAR- Some powerful guitar work in this song. The Tempo is the winner here because the riff is pretty basic but the breakdowns are quite good with a effects-driven solo. The track is composed well.

Melody - 7.0

Rhythm - 7.0

Composition - 7.0

BASS- Very similar to the guitar. Basic bassline but with a great rhythm and tempo which helps to drive the song.

Rhythm - 6.0

Composition - 6.5

DRUMS- Solid work here with a strong drive.

Rhythm - 7.0

Composition - 6.5

VOCALS - 21/30

GUITAR - 21/30

BASS - 12.5/20

DRUMS - 13.5/20

TOTAL - 68

7. FIRE FIRE (2:44)

VOCALS- Lemmy performs solidly, as usual. A fire theme which is pretty basic to be truthful. Don't like the backup singing during this track.

Lyrics - 6.0

Delivery - 6.0

Composition - 6.0

GUITAR- Decent work by Clark. The riff is fairly ok but it does have a nice rhythm. Clark does perform a very nice solo during.

Melody - 7.5

Rhythm - 6.0

Composition - 6.0

BASS- Not the best work here by Lemmy. Solid rhythm but a basic line.

Rhythm - 6.0

Composition - 5.5

DRUMS- Solid work on the drums by the 'Philthy Animal'. He warms up quite a bit at the end.

Rhythm - 6.5

Composition - 6.0

VOCALS - 18/30

GUITAR - 19.5/30

BASS - 11.5/20

DRUMS - 12.5/20

TOTAL - 61.5

8. JAILBAIT (3:33)

VOCALS- Another youth inspired song. Lemmy does his usual strong work. The track has a good rhythm and is fairly short lyrically. Solid work.

Lyrics - 6.5

Delivery - 7.5

Composition - 7.0

GUITAR- One of Clark's strongest efforts. The track has a nice riff, and leads well. The first of the solo's is alright, it's the second that is classic Motorhead.

Melody - 7.5

Rhythm - 7.0

Composition - 7.0

BASS- Another ok bassline , doesn't stick out again.

Rhythm - 6.0

Composition - 5.5

DRUMS- Nice tempo and drive. Phil does really strongly during the song. Nice little bit of double kick during the solo.

Rhythm - 7.5

Composition - 6.5

VOCALS - 21/30

GUITAR - 21.5/30

BASS - 11.5/20

DRUMS - 14/20

TOTAL - 68

9. DANCE (2:38)

VOCALS- Probably the worst song vocally on this song. Lemmy doesn't seem to be into it and it just seems bland.

Lyrics -4.5

Delivery - 5.5

Composition - 5.0

GUITAR- This is actually a strong guitar track. It has a decent riff and fantastic solo's make the song very listenable. It saves the song. There is drop-offs in the verses though.

Melody - 8.5

Rhythm - 6.0

Composition - 6.0

BASS- Solid bassline that drives well enough.

Rhythm - 6.0

Composition - 6.5

DRUMS- OK drum work with a decent tempo.

Rhythm - 6.0

Composition - 5.5

VOCALS - 15/30

GUITAR - 20.5/30

BASS - 12.5/20

DRUMS - 11.5/20

TOTAL - 59.5

10. BITE THE BULLET (1:38)

VOCALS- Solid vocals by Lemmy. Very short though.

Lyrics -6.5

Delivery - 6.0

Composition - 6.0

GUITAR- Strong riff and a decent small solo but is outshone by Lemmy on the bass.

Melody - 6.5

Rhythm - 6.0

Composition - 5.5

BASS- Lemmy does really well on this track. The bassline is strong and follows the riff nicely. He dominates the song for the most part.

Rhythm - 7.5

Composition - 7.5

DRUMS- Solid work on the drums as usual. Nice tempo for a short song.

Rhythm - 6.0

Composition - 6.5

VOCALS - 18.5/30

GUITAR - 17.5/30

BASS - 15/20

DRUMS - 12.5/20

TOTAL - 63.5

11. THE CHASE IS BETTER THAN THE CATCH (4:18)

VOCALS- A sex based song. It's pretty slow for Motorhead but strong nonetheless.

Lyrics -7.0

Delivery - 7.0

Composition - 6.5

GUITAR- Once again, Clark deals out a decent riff with a nice tempo. A strong solo is present as always and a nice outro ends the song.

Melody - 7.0

Rhythm - 7.0

Composition - 6.5

BASS- Lemmy does really quite well on this song again. He even manages to show some deviation in the verses. He drives the song pretty well and plays some good stuff during the breakdown.

Rhythm - 8.5

Composition - 6.0

DRUMS- OK drive with a slow tempo. He does alright for the most part.

Rhythm - 6.0

Composition - 5.5

VOCALS - 20.5/30

GUITAR - 20.5/30

BASS - 14.5/20

DRUMS - 11.5/20

TOTAL - 66.5

12. THE HAMMER (2:43)

VOCALS- A rhythmic song to end the album. Lemmy dials out a strong performance once again.

Lyrics -6.0

Delivery - 7.0

Composition - 6.5

GUITAR-Clark does an ok job on this track. Pretty basic riff with a ok solo.

Melody - 6.5

Rhythm - 6.0

Composition - 6.5

BASS- Basic bassline to finish up. Strong tempo though.

Rhythm - 6.0

Composition - 6.0

DRUMS- Good work by Phil. Fast and strong tempo and shows some great technique on the skins.

Rhythm - 7.0

Composition - 7.0

VOCALS - 19.5/30

GUITAR - 18.5/30

BASS - 12/20

DRUMS - 14/20

TOTAL - 64

ALBUM VERDICT-

A very strong album. All songs are solid perhaps possibly one. The album's best is obviously the title track, that being Ace of Spades and by a fair way. Overall, I give the album a solid score that other albums can try to match up to. I did modify the score slightly due to it's legendary status but it's still a classic album that cannot be underestimated.

OVERALL- 71

STATISTICS

VOCAL SCORE- 238.5/360 (66%)

GUITAR SCORE- 244/360 (67%)

BASS SCORE- 155/240 (64%)

DRUM SCORE- 159/240 (66%)

You know, I am not a card player and I have never developed any liking towards cards. But for some reason I have always been fascinated by the Ace of Spades, and you might have noticed that from old posts of mine.

The thing is that I have always thought that the Ace of Spades symbolizes luck, but I was wrong. Apparently it is the sign of death. The Ace of Spades is the Death Card.

There are a lot of stories about people pulling the Ace of Spades out the deck, and soon after they simply die. Perhaps the most famous one is the death of Metallica's former bass player, Cliff Burton. The story says that the night Cliff died, he and Kirk Hammett (Metallica's lead guitarist) drew cards to decide where to sleep. Cliff picked the Ace of Spades and won, so he chose Hammett's bed and ended up flying through the window when the tour bus drifted. Scary!

I am not a firm believer of cards and luck and all of that. But it is a bit surprising that I like something that symbolizes the greatest fear of all.

Or maybe I am just a bit down. Have a nice one.

THE MOTHERFUCKING, CORPORATE IDIOT, RACIST FUCKIN TIGHT PANTS WEARING PRICK EUROPEAN THAT RUNS Louis Roederer SAID THAT HIS CHAMPAGNE WASNT MADE FOR THE HIP HOP GENERATION TO SPEND $400 A POP JUST TO SPILL IT IN CLUBS AND BUY IT LIKE IF IT COST 4 DOLLARS. THANKS TO JAY-Z NOW WE HAVE A DIFFERENT EXPENSIVE DRINK WE GONNA BE SPILLING ON CLUB FLOORS AND FURNITURE "ACE OF SPADES" TALK ABOUT "UPGRADE" YOU CAN'T GO HIGHER THAN THE "ACE"!! THIS CHAMPAGNE IS FEATURED IN THE NEW JAY-Z VIDEO FOR "SHOW ME WHAT YOU GOT" OFF HIS NEW ALBUM "KINGDOM COME" COMING SOON!!

THANKS JIGGA FOR PAVING THE WAY!!!

GO AHEAD ORDER A FEW BOTTLES AND KEEP THEM ON CHILL!!!

Download pdf From Ziddu

Download Pdf From Easy-Share

The Majick Of Creativity ~~~ List Of The Best T-Shirt and Gift Shops On The Internet
Because I say so, I say that a lot to my kids. Basically because I have absolutely idea on how to go about the day to day process of being the ideal parent. Sure, being heavily medicated can be a hinderance, but what the heck, ya know?

I can ge up in the morning and fake it with the best of them !

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Yes that's right. He still refuses to leave the rap game a lone. He still wants to drop albums. He still feels like he's got something to prove.

What's left for Jay to say?

READ

UPDATE:

According to a representative Jay will NOT be releasing a new album.

Now this has become a pattern with Jay.  He gets his cronies to leak information (e.g. stepping down as Def Jam President), causes a stir, then promptly denies the stories.

Then weeks/months down the line instructs his publicist to release a statement informing us, the little people, that the stories he denied several weeks/months ago were in fact TRUE!

Don't be surprised if by next month its confirmed by the aging rapper that he will be dropping a new album called 'The Blueprint 3'  in the summer.

Your neat thing today is probably the best Motörhead song of all time, off the 1916 album, No Voices in the Sky. (And no, Lemmy doesn't have a sore throat. That's how he sings all the time)

Lo cantano i REM, giusto? Si, mi sembra di si.. Mi ricordo che alle medie ho imparato che vuol dire Rapid Eye Movement, ed è una fase del sonno profonda dove nascono i sogni.. Bello dai.. Alla fine, si sogna sempre no? Il fatto è che non ci si ricorda il più delle volte..

E nulla, questo sabato alla fine vado a lavorare -.- Sono già arenato ora credo.. Spero domani di riuscir a dare una svolta all'andazzo che si è creato oggi..

Vabbè poco male...

Ieri ho suonato insieme a mia sorella qualcosa dei Verdena, Luna non mi veniva malissimo dai.. Phantastica era davvero bella, alla fine il fatto che è semplice si nota.. Peccato il fatto che l'abbiano scritta mezzo tono sotto sullo spartito che ho trovato su internet.. Magari a scriverlo non ci avrei perso 10 minuti per capirlo -.-...

Oggi ho rivisto Simo e Zeta dopo un bel pezzo.. Vabbè, come al solito non è andata male..

Poi boh, che altro dire.. Il mistero si intrica sempre di più! E chi sa di cosa parlo capisce!

Adesso mi dirigo verso il letto e mi appresto a passare un po' di tempo tranquillo, se non proprio a dormire.. "The ace of spades!"

P.S. : Bravo Dick, continua così!